Disclaimer: These are all of the ones I know of, not all of the ones that exist! Also if I’m wrong about any of the descriptions/categorizations feel free to drop a comment. Detailed synopses can be found by clicking the hyperlinks in the titles, which redirect to the books’ Goodreads pages. 🙂
Ghost Boys by Jewell Parker Rhodes (April 17th) – MG, Fiction, Black MC, Own Voices
Krista Kim-Bap by Angela Ahn (April 18th) – MG, Contemporary, Korean Canadian MC, Own Voices
Inferno (Talon #5) by Julie Kagawa (April 24th) – YA, Fantasy
Trouble Never Sleeps (Trouble is a Friend of Mine #3) by Stephanie Tromly (April 24th) – YA, Contemporary
And that’s the end! I do roundup posts like this bimonthly (I started in July 2017, skipped November-December 2017 due to lack of time/smaller volume of releases), so check back in late April/early May for the May and June releases. 🙂
These posts take a lot of time and effort on my part, and I’m not paid by anyone for the labor. If you have a little money to spare, you can donate to my ko-fi: www.ko-fi.com/theshenners.
So September and October are a gift because there are so many great kidlit titles coming out from authors of color. Here’s a [far from exhaustive] list of ones I’ve had on my radar! I’ve had the privilege of reading many of these already (16 out of 24, which is 2/3), and I can tell you that they are amazing. 🙂
They Both Die at the End by Adam Silvera (Sep. 5th) – Young Adult, SFF, Gay Puerto Rican (#ownvoices) and Bisexual Cuban American MCs, M/M romance
2 boys who are going to die meet and bond over the course of about 24 hours
You Bring the Distant Near by Mitali Perkins (Sep. 12th) – Young Adult, Historical Fiction, Indian/Bengali American MCs (#ownvoices), Biracial Black/Bengali MC
5 women spanning 3 generations of a Bengali family in the U.S. negotiate their multicultural identities
Shadowhouse Fall (Shadowshaper #2) by Daniel Jose Older – Young Adult, Urban Fantasy, Afro-Latina Puerto Rican MC
Supernatural and real world forces of evil threaten the lives and community of Sierra Santiago, who will do anything to protect her own
Warcross by Marie Lu (Sep. 12th) – Young Adult, Science Fiction, Chinese American MC, #ownvoices
A gamer girl/bounty hunter hacks her way into the world’s biggest virtual reality game tournament and is hired to track down a suspicious figure lurking in the game
Rebel Seoul by Axie Oh (Sep. 15th) – Young Adult, Science Fiction/Dystopian, Korean MC, #ownvoices
A boy who has risen in the military of a future Korea is drafted into a special weapons project that turns girls into war machines and starts to fall for his charge
Rise of the Jumbies (The Jumbies #2) by Tracey Baptiste (Sep. 19th)- Middle Grade, Fantasy, Black Trinidadian MC, #ownvoices
Corinne La Mer makes a dangerous journey across the Atlantic to find a way to save the missing children of her island home
One Dark Throne (Three Dark Crowns #2) by Kendare Blake (Sept. 19th) – Young Adult, Fantasy
The deadly race for the throne has begun, the last sister standing wins.
The Stars Beneath Our Feet by David Barclay Moore (Sep. 19th) – Middle Grade, Contemporary, #ownvoices Black MC, secondary Black Autistic character
Following his brother’s gang-related Death, a boy struggles to cope and avoid the gang life and finds solace in building Lego creations at the community center.
The Way to Bea by Kat Yeh (Sep. 19th) – Middle Grade, Contemporary, #ownvoices Taiwanese American MC, secondary Autistic character
One summer away has upended Bea’s life and friendships, forcing her to make new ones and develop confidence in being herself.
Starfish by Akemi Dawn Bowman (Sep. 26th) – Young Adult, Contemporary, Biracial white/Japanese American MC, Social Anxiety rep, #ownvoices
An anxious aspiring artist flees her abusive home with an old friend-turned-crush and embarks on a journey that will transform her.
Ahimsa by Supriya Kelkar (Oct. 2nd) – Middle Grade, Historical Fiction, Indian MC, #ownvoices
A girl is swept up in the freedom movement of India through her mother’s participation and becomes involved herself in radical change.
Akata Warrior (Akata Witch #2) by Nnedi Okorafor (Oct. 3rd) – Middle Grade/Young Adult, Fantasy, Nigerian American MC, #ownvoices
A girl and her friends develop their powers as Leopard people to face down and vanquish a threat to humanity.
Wild Beauty by Anna-Marie McLemore (Oct. 3rd) – Young Adult, Magical Realism, Bisexual Latina/Mexican American MC, #ownvoices
The Nomeolvides sisters are blessed and cursed. Flowers flow from their hands, but their love makes those they love disappear. A mysterious boy who emerges from their garden estate may be the key to unlocking the secrets of the past and even breaking the curse.
Seize Today (Forget Tomorrow #3) by Pintip Dunn (Oct. 3rd) – Young Adult, Science Fiction/Dystopian
The conclusion to a series about a girl who foresees her own future in which she kills her sister and must work to stop herself.
Pashmina by Nidhi Chanani (Oct 3rd) – Young Adult, Contemporary/Fantasy, Graphic Novel, Indian American MC, #ownvoices
An Indian American girl connects with her heritage through a magical pashmina that transports her to India.
Not Your Villain (Sidekick Squad #2) by C.B. Lee (Oct. 5th) – Young Adult, SFF, Black trans boy MC
Bells becomes a fugitive due to a coverup by the Heroes’ League and has to take down a corrupt government while applying to college and working up the courage to confess his feelings to his best friend.
Xifeng has a great destiny awaiting her, but her path to becoming Empress of Feng Lu requires her to embrace the darkness within her.
Dear Martin by Nic Stone (Oct. 17th) – Young Adult, Contemporary, Black MC, #ownvoices
A Black teen processes his feelings about antiblack racism through a journal dialogue with Martin Luther King Jr. and becomes the center of a media storm when he and his friend become victims of police brutality.
A Line in the Dark by Malinda Lo (Oct. 17th) – Young Adult, Contemporary, Thriller, Queer Chinese American MC, #ownvoices
Jess harbors a crush on her best friend Angie and through Angie, is drawn into a wealthy but seedy social circle with dangers they cannot escape unscathed.
After her sister’s death, a girl feels alone and pressured to take her sister’s place, only to discover that her sister may not have been as perfect as she seemed.
Like Water by Rebecca Podos (Oct. 17th) – Young Adult, Contemporary, Besexual Latina MC, Secondary qenderqueer character
A small-town girl falls for someone who brings to the surface secrets she’s been trying to suppress.
Long Way Down by Jason Reynolds (Oct. 24th) – Young Adult, Contemporary/Thriller, Novel-in-Verse, Black MC, #ownvoices
His brother is dead, and he’ll make the killer pay, but as he goes down the elevator, someone new appears who is connected to his brother, and he may not make it to the bottom.
Calling My Name by Liara Tamani (Oct. 24th) – Young Adult, Contemporary, Black Christian MC, #ownvoices
A girl navigates her budding sexuality in an ultra-religious environment that treats sex as forbidden and dirty.
Beasts Made of Night by Tochi Onyebuchi (Oct. 31st) – Young Adult, Nigerian-inspired Fantasy, Black MC, #ownvoices
Sin-eaters practice magic to rid people of their guilty feelings but pay the price in a being permanently marked and a short life-span. Taj is called to eat the sin of a royal and is forced to fight against an evil that threatens his entire home.
The Jumbies and Rise of the Jumbies by Tracey Baptiste – MG, Fantasy, Afro-Caribbean/Trinidadian MC, #ownvoices
The Jumbies is an atmospheric tale of secrets and dangers that draws you in and gives you the heebie jeebies. Corinne, our gutsy heroine, will do anything to protect her father from the beautiful but deadly Severine. With the help of her friends, the local witch, and her own latent powers, she sets out to save the island from being taken over by a powerful force. When you are done you will look to the trees and wonder what strange creatures lurk within and whether they might appear to make mischief.
Book 2 tops Book 1 and takes you on an incredible journey across the ocean, with more magic and new friends and foes as Corinne comes into herself and her power. It captures the agony of a painful, half-forgotten past and the fragile hope for a future and brings home the tensions of family and loss.
The Education of Margot Sanchez by Lilliam Rivera – YA, Contemporary, Puerto Rican MC, #ownvoices
The Education of Margot Sanchez follows the story of a Puerto Rican girl who’s trying to fit in at her prestigious prep school at all costs. Her desperation drives her to questionable actions, and eventually her misdeeds catch up to her. While she’s serving out her punishment at her family’s grocery store, she meets a handsome young man who’s campaigning against the gentrification of their neighborhood, and through various events, comes to appreciate her community and confront her own mistakes.
This novel covers a lot of ground, including dynamic friendships, peer pressure, budding romance, class struggles, challenging machismo, family drama, and personal growth. Margot is an incredibly flawed person but also a sympathetic protagonist, and watching her character learn and grow was intensely satisfying. In other words, the book really lives up to its name.
American Street by Ibi Zoboi – YA, Contemporary, Magical Realism, Black/Haitian American Immigrant MC, #ownvoices
I had few expectations going into this book and when I came out the other end, I was shaken to the core. This is not an light read. From the beginning it’s wracked with tension and conflict. Fabiola has just moved to Detroit from Port-au-Prince, Haiti, and she’s thrust into this new environment without her mother, who has been detained. The American paradise she envisioned turns out to be much grittier than she realized. In Detroit, she relies on her strong-willed and influential aunt and cousins to support her and finds an unexpected romance.
Unfortunately, these relationships are overshadowed by various kinds of violence: intimate partner violence between one of her cousins and her boyfriend, violence from systemic racism and classism, and the violence of livelihoods built upon huge risks and illegal activities. In her quest to free her mother from detainment, Fabiola gets drawn into a complicated and fragile web of secrets and lies that threatens to destroy the foundations of her new life.
What was especially poignant and powerful to me in this book was the juxtaposition of Fabiola’s and her cousins’ respective backgrounds and the way they projected their own hopes and dreams onto one another. Although Fabiola is the primary viewpoint character, there are a few interludes and departures from the main narrative that provide insight into the supporting characters, their histories, their motivations, and so on that add another layer of depth to the story. The magical realism elements were critical to establishing setting and foreshadowing and illuminating the themes of the story.
Trigger Warnings for American Street: abuse, violence, death
The Epic Fail of Arturo Zamora by Pablo Cartaya – MG, Contemporary, Cuban MC, #ownvoices
Like Margot Sanchez, The Epic Fail of Arturo Zamora tackles the theme of gentrification but with a lighter tone. Arturo is an adorkable thirteen-year-old whose extended family lives together in an apartment building and runs a restaurant established by his grandparents. He has a few ambitions: tell his crush he likes her, save the family restaurant and local community from a seedy land developer, and make his grandmother proud of him. Along the way, he discovers the beauty of poetry and the legacy of Cuban revolutionary José Martí and connects with his late grandfather, who left behind letters and verses for him.
This heartfelt story shows us that not all heroes wear capes, and even the thirteen-year-old boy who gets tongue-tied around his crush has a shot at saving the day. My favorite parts were the family dynamics, the delicious food descriptions, and the incorporation of poetry into the narrative as an inspiration for Arturo and a medium for his growth and self-expression.
Lucky Broken Girl by Ruth Behar – MG, Historical Fiction, Cuban Jewish American Immigrant MC, #ownvoices
Lucky Broken Girl is semi-autobiographical and tells the story of a young Cuban Jewish girl who has just immigrated to the U.S. and winds up confined to her bed for almost a year after a car crash that puts her in a full-body cast. While she is cut off from the world outside, she finds solace and companionship in her neighbors and classmates, who bring joy and beauty into her life with their kindness and generosity. Throughout this experience, she struggles with ableism from her parents, who are her caretakers, and her own inner voices, which are exacerbated by her isolation.
Perhaps most poignant and memorable is her period of rehabilitation after she is free of the cast. The anxiety and sense of inadequacy and frustration with slow progress were palpable to me, and intensely relatable as someone who experienced hospitalization for mental illness, albeit not for months.
If there was one thing I really felt was lacking in the story, it was more interaction with people who shared her experiences of disability. They were mentioned but weren’t given much page time, and I feel like including those kinds of interactions would have enriched the narrative. That, and I feel like there could have been space for acknowledging that not everyone is temporarily disabled the way Ruthie was; some have lifelong disabilities (hi, that’s me), and their worth isn’t defined by their disabilities or whether they can recover from/overcome them.
Life update and mini review series introduction: I have a full-time job right now, so writing 600+ word reviews for every book I read has become unsustainable. However, since I still want to share my thoughts on all the books I read, I’m compromising by doing mini reviews for most books and full reviews for a smaller fraction. This first set of mini reviews will focus on five books with Muslim characters that I’ve read recently. 🙂
The Gauntlet by Karuna Riazi – Middle Grade, Fantasy, Adventure, Bangladeshi American MC, #ownvoices
In The Gauntlet, Farah Mirza is forced to play a larger-than-life board game in order to save her younger brother from being taken by the game’s Architect. It is such a fun book that really engages the senses, especially sight, smell, and taste. Loaded with loving and vivid references to Bengali, desi, and Middle Eastern cultures, it’s an adventure that you can’t miss. As someone who loves games and puzzles, it was a treat to read about Farah’s three game trials, especially the one involving Mancala, which I played with my sisters when we were young. There were colorful characters and interesting twists and a setting that literally shifts and changes to keep me engaged and delighted throughout.
The Lines We Cross by Randa Abdel-Fattah (originally published as When Michael Met Mina in Australia) – Young Adult, Contemporary, Afghan-Australian MC
The Lines We Cross is a powerful story about racism, xenophobia, and Islamophobia. The main character, Mina, moves from a racially diverse, working-class part of the city to a wealthier, white-dominated area. There, she meets and goes to school with Michael, who is white and the son of a local conservative political organizer who is the head of an organization pushing a xenophobic and Islamophobic agenda. Despite their differences, the two are drawn to each other and find common ground, and Michael is forced to confront his own privilege and question his internalized biases. The reason this learning and redemption arc works is because Mina’s perspective is there to complement Michael’s, it’s not just centering Michael. Moreover, Mina actively calls out Michael’s ignorance and biases and refuses to perform the labor of educating him, so her purpose in the story is not to serve his character development.
Saints and Misfits by S.K. Ali – Young Adult, Contemporary, Egyptian/Arab-Indian American MC, #ownvoices
Trigger Warnings: Sexual assault
Saints and Misfits is a gem of a story about a Muslim hijabi teen, Janna, who’s trying to navigate the confusing feelings of adolescence and deal with her traumatic experience of sexual assault by a supposedly upstanding member of her community. Her voice is refreshingly honest, snarky, and down-to-earth. I loved the different relationships explored in the story, from her family drama, to her friendships with people at school and at the Islamic Center, to her crush on Jeremy, to her mentor-mentee relationship with her imam. The supporting characters really rounded out the story, giving it depth and breadth. The topic of sexual assault was explored with sensitivity and grace, and I found it to be an empowering story for survivors and an honest commentary on how a community may fail its members.
Love, Hate, and Other Filters by Samira Ahmed – Young Adult, Contemporary, Indian American MC, #ownvoices
Trigger Warnings: Islamophobia, physical assault
Love, Hate, and Other Filters is a powerful novel about intergenerational conflict and Islamophobia, how it feels to be caught in between others’ expectations and your own aspirations. Maya’s parents have a plan for her, and it doesn’t involve going to NYU to study film or dating someone who’s not her parents choice of pious Muslim boy, especially not a white boy like Phil. Because of these suffocating expectations, Maya lives a double life, applying to NYU and meeting Phil in secret, and it will break your heart to see her struggle. Parallel to the day-to-day events of Maya’s life, a terrorist plots to wreak havoc. When the attack occurs, the prime suspect shares Maya’s last name, so she gets targeted with vitriol and violence. This book is such an emotional rollercoaster, and the author doesn’t pull any punches. Maya’s fear and hope are tangible, and you feel the weight of her choices. I loved the juxtaposition of Maya’s first-person narrative with third-person snippets of people whose lives are affected by the terrorist attack. It heightened the tension of the story and connected the dots between seemingly unrelated people.
That Thing We Call a Heart by Sheba Karim – Young Adult, Contemporary, Pakistani American MC, #ownvoices
That Thing We Call a Heart happens over the course of a summer, the summer before Shabnam goes off to college. She’s been estranged from her best friend Farah, so she finds companionship in a cute boy named Jamie, who lands her a job at his aunt’s pie shack. It’s hinted at in the synopsis, but Jamie is not that great of a guy, and he sort of fetishizes Shabnam, and through this experience Shabnam comes to learn what a bad relationship looks like and how infatuation can cloud your judgment. My favorite part of the story was her interactions with her parents, her best friend Farah, and her great-uncle who survived Partition. Her dad teaches her about Urdu poetry, which gives her a connection to her heritage and artistic inspiration. Her best friend Farah was by far my favorite character, defying stereotypes of hijabi girls by dyeing her hair and listening to punk music and not taking shit from anyone. Shabnam’s alienation from Farah is very much her own fault, and in the story, she has to work through the issues and make amends. The dynamic nature of their friendship felt realistic, and it resonated with me a lot as someone who’s gone through similar stages with my own best friend. Lastly, her relationship with her great-uncle felt really relatable to me as someone who doesn’t have very close relationships with people of my grandparents’ generation, who lived through two periods of colonization. Her uncle lived through a very horrifying and bloody chapter of history, and it’s hard to communicate and connect when you feel like there is so much you don’t know about someone and their history. Shabnam’s curiosity and weighty feelings and desire to learn more about that history mirrored my own with respect to 20th Century Taiwanese history.
As y’all may already know, I’m a huge SFF fan, and this year Asian SFF YA has been absolutely spectacular! I’ve reviewed Want, A Crown of Wishes, The Epic Crush of Genie Lo already, but I still need to write and post reviews for Forest of a Thousand Lanterns and Warcross. I’ll be honest and say Want and Warcross are my favorite books by Cindy Pon and Marie Lu, respectively. They are so immersive and intense and exhilarating. All of these were five-star reads for me, and I’m so excited for other people to read and hopefully fall in love with them! 🙂
It’s a tie! Rise of the Jumbies is the sequel to The Jumbies by Tracey Baptiste, and Shadowhouse Fall is the sequel to Shadowshaper. I have yet to review any of these, but I really need to. I read these two sequels for Caribbean American Heritage Month, which was this past month. Rise of the Jumbies is set in Trinidad and also Ghana (with an epic cross-Atlantic journey in between), and Sierra, the heroine of Shadowhouse Fall, is Puerto Rican. Both series incorporate Caribbean lore, and they are filled with suspense, family bonds, friendship, and journeys of self-discovery. I adore these covers so much.
3. NEW RELEASE YOU HAVEN’T READ YET, BUT YOU WANT TO
I’m not sure what counts as new, but among the books released in the past two months, there are quite a few I’m eager to read:
One Shadow on the Wall tells the story of a boy in Senegal who has lost his father and must support himself and his family. Crossing Ebenezer Creek is based on a historical event during the Civil War era of U.S. history and features a recently-freed Black girl trying to forge a new life and future for herself. I Believe in a Thing Called Love is a contemporary romantic comedy in which a studious Korean American girl attempts to use Korean drama tropes to win the heart of her crush.
4. MOST ANTICIPATED RELEASE OF THE SECOND HALF OF 2017?
HAHA as if I could pick just one or even three. I need to section these off:
The Speaker by Traci Chee (The Sea of Ink and Gold #2, September 12th)
Chainbreaker by Tara Sim (Timekeeper Trilogy #2, November 7th)
If you haven’t read my rave reviews for the prequels to these books, you can go find out why I love them so much. The short version: The Reader (my review) is one of the most creative fantasy novels I’ve read in a long time, interweaving four different storylines and featuring a fascinating magic system in which the act of reading is a literal kind of magic. Not Your Sidekick (my review) is a fresh take on superheroes in a futuristic American West combined with a cute f/f romance. Timekeeper (my review) is set in an alternate England where clocks literally control the flow of time; in this world, our hero investigates a series of clock malfunctions with a sinister source while falling in love with an adorable and mysterious clock spirit.
I wasn’t joking when I said I love SFF! Beasts Made of Night is a Nigerian-inspired fantasy story that centers on a young man who is a magic user responsible for vanquishing the sin-beasts that form from people’s guilt as he navigates a deadly political conspiracy. Rebel Seoul takes place in near future Korea and stars a boy turned soldier who is recruited for a special project involving giant killing machines and forced to decide where his loyalty lies. The Library of Fates is based on the historical invasion of India by Alexander the Great and features a princess and servant on the run, in search of the Library of All Things, which may have the key to changing one’s fate.
Starfish is about a biracial Japanese American girl who deals with social anxiety while away from home and finds the courage to pursue the career of her dreams as an artist. You Bring the Distant Near tells the stories of three generations women in an Indian/Bengali immigrant family as they grow into their American identity. A Line in the Dark features a queer Chinese American girl who gets sucked into an elite social circle that is filled with secrets and danger.
More fantasy! Spirit Hunters stars a biracial Korean American girl who discovers her new house is haunted and has to save her brother from malevolent spirits. Akata Warrior is the sequel to Akata Witch (my review), a fantasy story starring four Nigerian American/Nigerian teens exploring their magic and working together to face down powerful foes. Whichwood is a companion to Furthermore and is a Persian-inspired story about a girl who washes the bodies of the dead and whose hair and hands are turning silver.
5. BIGGEST DISAPPOINTMENT
Okay so as far as 2017 book covers go, a few have disappointed me:
All of these were in my most anticipated cover reveals post but fell short of my expectations based on their synopses. Specifically, I was hoping that they would feature POC prominently, and they all failed to do that.
Forest of a Thousand Lanterns was probably the biggest letdown out of all of them. The symbolism of the apple blossom isn’t apparent because most people have no idea what an apple blossom looks like and wouldn’t be able to identify it on sight, the font is really tacky, the repeating yin-yang symbols is also kitschy and the only real indicator that the book is based on East Asian cultures, and in general I just wish it had more detail and texture to it. My mental aesthetic for Xifeng and FOTL was Fan Bingbing starring in the Chinese historical drama, The Empress of China, and I was totally hoping for something similar to the images below.
What disappointed me about the Warcross cover was the color scheme: it wasn’t dark enough for the feel of the story, in my opinion. And, to state the painfully obvious, it’s literally just the title in a slightly upgraded version of 2007 MS Word Art. Verdict: should have hired Jason Chan, who did the cover art for Want and Heroine Complex and Heroine Worship.
As for Beasts Made of Night…I was hoping for a Black boy to be on the cover looking fierce and magical, but instead we got animal silhouettes. It’s not terrible, but I wanted something with more texture that really takes up space.
The conclusion: PenguinTeen needs to invest in better cover art. They are horribly underselling their best SFF titles by POC with mediocre covers.
A Line in the Dark gives you the dark and creepy vibes from the synopsis but is once again very vague, and I’m willing to bet the hand model they used for that photo wasn’t even Asian. Like why is it so hard to just put a queer Chinese American girl on the cover?
Okay, I’ll stop ranting about cover art now and talk about actual stories that disappointed me. There were only two, actually.
One was the middle grade book Stir It Up!, which I reviewed earlier this year. As I mentioned in my review, it didn’t have the level of detail and substance I was hoping for in a book centered on Indo-Caribbean cuisine that had so much potential. The other book was The Takedown by Corrie Wang. The premise sounded very interesting, and I was cautiously optimistic despite the fact that it was written by a white author (the main character is biracial Chinese American), but when I actually got to scoping it out at the bookstore, I found the main character really annoying, plus it was lowkey racist and sexist, among other things. Good thing I didn’t buy it.
I was looking forward to reading this book because it features a Thai American protagonist, the 2nd one in contemporary YA that I know of and the first in years. There was some hype going for me. Then I actually read it, and I was completely blown away. My Goodreads review says it all:
“I didn’t intend for my review to be a haiku but the universe had the syllable count planted in my subconscious somehow so here you go:
holy fucking shit
what the hell did I just read
I need to lie down”
Also, my Twitter mini-thread:
narratives I've read. the diaspora narrative really heightens the tensions that play out in the thriller arc bc it's so intensely personal
Okay, it’s fairly rare for a book to actually, literally make me cry, but this book actually did that. It was over a very emotional mother-daughter moment that really struck a chord with me, and I guess the biggest factors that contributed to that was a) the protagonist is [East] Asian American like me, and b) I lost my own mom last year so I’m still really sensitive to stuff relating to moms. If you want to read my thoughts about the Latinx rep (the love interest is Mexican American), I wrote a brief review about it on GR, but as I’m not Latinx, I don’t feel comfortable actually recommending this book to people since it was called out a few months back by a sensitivity reader for bad rep, and I don’t know to what extent that stuff was fixed/edited for the final version.
Okay, this was one of my favorite middle grade books of the year because it was really cute and fun but also creative about turning certain racist microaggressions against biracial Asian people on their head. You can read my full review here.
12. FAVORITE BOOK TO MOVIE ADAPTATION YOU’VE SEEN THIS YEAR
…I don’t think I’ve seen any? Oops.
13. FAVORITE REVIEW YOU’VE WRITTEN THIS YEAR?
Probably my review for Want since it’s such a personally satisfying read because of the Taiwanese rep.
14. MOST BEAUTIFUL BOOK YOU’VE BOUGHT OR RECEIVED THIS YEAR?
It has such gorgeous cover art! It extends onto the back as well, and there’s a Chinese character on the cover under the jacket; it’s the word for the main character’s name, Jing. You can see it in my bookstagram post:
Midnight Without a Moon is based on true historical events relating to the murder of Emmett Till in the mid-20th Century, told through the perspective of a young black girl. Stef Soto, Taco Queen tells the story of a girl who wants to escape the shadow of her family-run taco truck until that very livelihood is threatened, and she become it’s greatest champion. The Harlem Charade follows three kids of color in Harlem as they investigate one of them’s missing grandfather and stumble upon an insidious plot to gentrify their neighborhood. Piecing Me Together tackles the intersections of race, gender, and class for a Black teen girl who attends a mostly-white private school, where she’s identified as “at-risk.” Wintersong is an atmospheric retelling of the story of Labyrinth, in which a girl who loves to compose music becomes the bride of the Goblin King, her creative muse, in order to save her sister. Empress of a Thousand Skies is an epic space opera in which a princess and a former refugee have to join together to help reclaim the throne and save the galaxy. History Is All You Left Me tells the story of a teen struggling with the death of his ex and his own debilitating OCD, and his ex’s boyfriend is the only one who understands his pain. The Foretelling of Georgie Spider is the third and final book in The Tribe series by Indigenous author Ambelin Kwamullina; the series takes place in a dystopian future where people who manifest powers are Illegal and must survive in secret on the fringes of society or be detained by the state. I read the first book last year (my review) and loved it, so books 2 and 3 are waiting for me.
HEY, you made it to the end, yay you! I tag everyone who wants to do this tag. ^o^
The last special guest for May Asian author interviews is Kathleen Burkinshaw. Her debut novel, The Last Cherry Blossom, was published just last year, and in this interview delve into the behind the scenes writing process for the book, which was based on Kathleen’s mother’s experience.
Yuriko was happy growing up in Hiroshima when it was just her and Papa. But her aunt Kimiko and her cousin Genji are living with them now, and the family is only getting bigger with talk of a double marriage! And while things are changing at home, the world beyond their doors is even more unpredictable. World War II is coming to an end, and Japan’s fate is not entirely clear, with any battle losses being hidden from its people. Yuriko is used to the sirens and the air-raid drills, but things start to feel more real when the neighbors who have left to fight stop coming home. When the bomb hits Hiroshima, it’s through Yuriko’s twelve-year-old eyes that we witness the devastation and horror.
SW: Please tell us a little about The Last Cherry Blossom beyond what the synopsis says.
Kathleen: The Last Cherry Blossom depicts the culture, mindset, and daily life during WWII before the bomb was dropped through the eyes of a 12-year-old-something that has not been done before.
My hope is not only to convey the message that nuclear weapons should never be used again; but to also reveal that the children in Japan had the same love for family, fear of what could happen to them, and hopes for peace as the Allied children had. I want the students/readers to walk away knowing that the ones we may think are our “enemy” are not always so different from ourselves. A message that needs to be heard now more than ever.
SW: I definitely agree since the othering of the “enemy” is constantly used to justify violence.
Aside from talking to your mother, what kinds of research did you do for this story? What was the most interesting or surprising thing you learned?
I had to search for books that were about daily life in Japan during WWII-not as easy when you need to find them written in English 😊 But I was lucky to find a couple out of print books on eBay. Also, my local library had some great resources. In addition, the website for Hiroshima has some information on life during WWII in Hiroshima as well.
The most surprising and interesting piece of research happened while in Hiroshima. In July 2015, we went to honor my mom at the Hiroshima National Peace Memorial Hall for the Atomic Bomb Victims. (Sadly, my mom had passed away in January 2015. Thankfully, she did know TLCB would be published and had read one of the drafts). The most surprising information came while visiting with the librarians at the Memorial Hall. They kindly spent about 2 hours with me. I gave them my mother’s Hiroshima address and they showed it to me on a map from the early 1940’s. My mother had always said she was over an hour from the center of the city. However, when we looked at it on the map she was only 2 miles away from the epicenter; much closer than what I had thought! To me, it’s a miracle that she survived considering how close she was to the epicenter.
Also, while there I realized the beauty of Hiroshima. I had been so focused on the horrific destruction of August 6th itself. But while we were there I saw the beauty of the sea, the mountains, and palm trees! My mother always said she grew up in a beautiful place and I finally could see it through her eyes. This came in very handy when I returned to my first round of edits from my publisher. The visit to Hiroshima enhanced my descriptions in of Hiroshima before the bombing.
SW: I’m glad your trip surprised you in a good way and allowed you to connect to your mother’s feelings and memories. 🙂
Representing a culture that is unfamiliar to most readers is like an act of translation. Did you have any difficulties on this front while writing your book?
Kathleen: Yes, I wanted to be as true to the culture and time period as I could. However, I needed to make it flow naturally. I spent a great deal of time working through this. One of the issues I had involved dialogue. The Japanese language has a polite form-especially at that time. There are also no contractions when they speak. So, I wanted to show that, but struggled with it sounding stilted. I finally found a balance by using contractions and less formal conversation when Yuriko narrated and when speaking with her friends. However, when a younger character spoke to an adult, or an adult was speaking to the younger character’s, it would be more formal and no contractions used.
SW: Making historical fiction both educational and engaging can be difficult. What techniques did you use to strike this balance?
Kathleen: Yes, it is very difficult. I tried to describe the historic information so it would flow with the story. I didn’t want it to read like a report of Japan during WWII. One of the reasons I used newspaper headlines, propaganda poster text, and radio slogans as chapter headings was to set the tone on what was happening and how it was reported. I wanted the story to be about the characters and their personal issues. The war would be part of the scenery in the world that these young girls happened to live in. I hope I came close to that balance for the readers. 😊
SW: Do you have any favorite historical fiction kidlit titles?
Kathleen: Yes, I do! I have too many to list them all. But a few are: Kira-Kira and Weedflower by Cynthia Kadohata. Two books that were inspirational to me were Blue by Joyce Moyer Hostetter and Eleanor Hill by Lisa Williams Kline. Also from the 2016 debut authors- Paper Wishes by Lois Sepahban.
SW: I have Kira-Kira and Weedflower on my shelf, but I still need to read them. Weedflower stands out to me in particular because it shows a Japanese girl prominently on the cover.
Although it doesn’t have a person represented in it, I honestly love the cover for The Last Cherry Blossom. Did you have any input on the design, and how did that process work?
Kathleen: Thank you! Katy Betz is the talented artist behind the stunning cover art. My editor asked me to make a mood board. A few weeks later she sent me the cover art. I would have never come up with it (which is why I write and can’t draw), but from the moment I saw it I knew it perfectly represented beauty from the ashes.
SW: What would you say has been the most rewarding part of being a children’s author?
Kathleen: Meeting readers and students who tell me that my mother’s story taught them something they didn’t know about WWII, that her story inspired them, they think differently about nuclear weapons, and that they want me to write more books, touch my heart and amaze me so much.
Also, I’ve received emails from students/readers who didn’t like to read, but after reading The Last Cherry Blossom, they are interested in reading again! What could be a better compliment to an author?!
SW: That sounds lovely. I can’t wait to read and experience The Last Cherry Blossom for myself!
Kathleen Burkinshaw is a Japanese American author residing in Charlotte, NC. She’s a wife, mom to a daughter in college, and owns a dog who is a kitchen ninja. Kathleen enjoyed a 10+ year career in HealthCare Management unfortunately cut short by the onset of Reflex Sympathetic Dystrophy (RSD). Writing gives her an outlet for her daily struggle with chronic pain. She has presented her mother’s experience in Hiroshima to middle schools for the past 6 years. She has carried her mother’s story in her heart and feels privileged to now share it with the world. Writing historical fiction also satisfies her obsessive love of researching anything and everything. The Last Cherry Blossom is a SCBWI Crystal Kite Award Finalist (southeast region) and 2016 Scholastic WNDB Reading Club selection.
My Summary: Cilla Lee-Jenkins has ambitions to become a bestselling author, an achievement she is certain will ensure her family won’t forget about her in favor of her soon-to-be-born younger sister. Since you’re supposed to write what you know, she writes a book about herself and her life, including her experience as a biracial girl with a family divided by cultural differences.
This book is in sort-of-epistolary format, in the sense that what you’re reading is supposed to be the book that Cilla is writing. The narrative is addressed to the reader, so it doesn’t hesitate to break the fourth wall, if there even is a fourth wall to begin with, ha.
Cilla’s voice is very distinct and full of spunk, so it grabs you from the beginning. She’s precocious, but she’s still a kid in second grade, and the author does a great job of striking the balance between showing off Cilla’s wit and keeping her voice age-appropriate.
A substantial part of Cilla’s story is about being caught between cultures, which is something I could relate to as a fellow Asian American. For example, I was amused by her insightful and direct commentary on the cultural differences between white American and Chinese table manners, having pondered those disparities myself at various points in my life.
Cilla’s particular experiences are also affected by her background as a mixed race kid with a Chinese dad and a white mom. Some of Cilla’s anecdotes involve racist microagressions, not only against Asians but against mixed race people. Since the reader is experiencing the events through Cilla’s perspective, these microaggressions are treated in a different way than they might be in a story for older audiences, in which the character has a greater awareness of and vocabulary surrounding race to address what is happening. Given the younger narrator and audience, I feel like the framing was handled pretty well, showing that Cilla is aware of things being off or hurtful about these incidents, even if she doesn’t quite understand their root causes. In general, these microaggressions are either handled by any adult bystanders in the situation, or they are cleverly subverted through Cilla’s own innocent responses that effectively sidestep the original aim of the microaggressive questions/comments and interject something that was outside the realm of the perpetrator’s expectations.
Both sets of Cilla’s grandparents feature prominently in this story, and I loved reading about her relationships with them and her quest to bring the two sides together despite their years of avoiding one another. As someone who has never been close to my grandparents, physically or emotionally, I always appreciate seeing positive and intimate grandparent-grandchild relationships portrayed in fiction.
Along with family bonds, this book also explores friendship and socialization in a school/classroom setting. I adored Cilla’s bond with her best friend Colleen, who’s Black and wants to be an astronaut or something space-related when she grows up. Despite their vastly different dream jobs, they make a perfect pair who have each other’s backs and share in the other person’s excitement. One of the things I appreciated was that the story depicted and worked through a part of their friendship where they messed up and said the wrong thing and had to figure out how to apologize. There was great modeling of healthy and constructive approaches to relationships and communication, something that is always welcome in kidlit.
There’s another really cute friendship featured in the book, which is between Cilla and a boy in her class named Ben McGee. She starts out finding him annoying for various reasons, but eventually warms up to him and finds more common ground with him. I guess in general I enjoy reading about dynamic friendships in kidlit because they’re realistic and also a good learning/teaching tool for topics like change, conflict, and empathy.
Last thing I wanted to comment on is the lovely interior illustrations by Dana Wulfekotte, who is also Asian American. They were a wonderful complement to the story and helped bring Cilla’s personality and imagination to life.
Recommendation: This is going on my mental Favorites Shelf for middle grade alongside Grace Lin’s The Year of the Dog and sequels. The target age range is a bit young for some of y’all among my blog followers, so it may not be to your taste, but if you’re a parent or teacher or librarian of elementary school age kids, this is perfect for them. 🙂
My Summary: Li Jing lives in a village that is protected by the Great Golden Huli Jing. Her name promises a great destiny but also invites mockery from other children. Because her family is poor, at the age of eleven, she is sold to be the bride and caretaker of a three-year-old boy. Her new home brings her suffering and more danger, until she decides to run away. With the help of some friends, she sets off on a quest to go back home and find herself.
After reading Grace Lin’s Where the Mountain Meets the Moon series, I was craving more [#ownvoices] middle grade Chinese fantasy, and The Crystal Ribbon was exactly what I needed. Set in the Song Dynasty and drawing on Chinese folklore, this book brings to life a wonderful tale of resilience, family, and friendship.
The Crystal Ribbon has some Cinderella-esque elements to it. Instead of an evil stepmother and two stepsisters, she has a mother-in-law and two sisters-in-law who are nasty to her and treat her like a servant because they can. Thankfully, she’s not alone. There is a kind cook who looks after her well-being, and she meets a spider and a nightingale who help her along the way, among others. She also has a letter from her younger brother and memories of her family to hold onto.
Far from being helpless, Jing fights against the people and forces that try to beat her down. She plots and acts to escape her horrible situations and doesn’t give up despite the odds being stacked against her. Her story is one of hope and light in dark times, something I needed for my current low in life.
One of the magical things about reading this book was the familiar cultural references woven into the story. From the history, to the literary allusions, to the holiday celebrations, to the superstitions and religious/spiritual practices, I felt at home. Even some of the language used was taken directly from common Chinese sayings/idioms.
Though it’s not a horror story, there were definitely some creepy elements and scenes to this book. Jing is forced to be out at night during the Ghost Festival and witnesses the supernatural come to life. Also, a prominent part of the story are the jing (精) that Jing’s name is a homophone for. I’d loosely translate jing as fae. They are supernatural beings that can take different forms, and you never know whether they are friend or foe, for the sinister jing feed on the chi of humans. The good and powerful ones serve as protectors of villages.
I have two minor criticisms of the book. One is that the romanization wasn’t consistent throughout. In some places, ch was used instead of q. A notable example was chi, though that might simply be because chi is familiar to English-speakers. Another thing that didn’t follow consistent rules was the spacing in disyllabic names. Some had spaces between syllables and others didn’t.
My other criticism was that the prose read awkwardly in some places because it sounded like the narration (first-person from Jing’s perspective) was directed to someone who’s a cultural outsider. As a result, it came off as overly explain-y and heavy-handed with the info-dumping.
For example, the dizi, which is a transverse flute, was described as being a “Chinese transverse flute.” However, you would call it a Chinese flute and not just a flute when the default “flute” is assumed to be the Western flute. In a story where Chinese culture is the norm, there wouldn’t be a need to refer to dizi as a Chinese flute.
Another example is the references to the “lunar calendar” and “Lunar New Year.” To someone who was immersed in Chinese culture during the Song Dynasty, the calendar they used wouldn’t be referred to as a “lunar calendar,” nor would the New Year be called the Lunar New Year since the lunar calendar was the default calendar. When someone in the West says “lunar calendar,” the lunar descriptor is marking it as in opposition to the solar/Gregorian calendar, which is used as the standard calendar.
Other than those small nitpicky things though, I absolutely adored the story.
Recommendation: Lovingly recommended. Trigger warnings for extreme physical punishments/abuse.
My Summary: The 8th grade is putting on Romeo and Juliet this year. Although Mattie has no prior experience with theater, she discovers that she enjoys acting. On top of practicing for this play, Mattie has to juggle a complicated web of middle school secrets and relationships, including her own budding crush on classmate Gemma, who is starring as Juliet. As obstacles pop up, Mattie is pushed to take the lead in the play and her life.
Star-Crossed really transports me back to my tween years, when things were awkward and complicated and your peers’ opinions meant everything in the world. Mattie is thrust into many an uncomfortable situation by life, and we as readers get to experience the rollercoaster of emotions she goes through as she navigates her relationships with her classmates and friends. Whether it’s figuring out how her crushes feel, keeping secrets from her best friends, being the only person not invited to a social event, or worrying about how others will react to knowing she has a crush on a girl, Mattie has to make a lot of tough decisions.
With both humor and heart, the author brings Mattie’s middle school experiences to life. The 8th grade production of Romeo and Juliet is not only a plot device but a way of enriching Mattie’s character development. As she works to understand the feelings of the characters in the play, she also makes connections to her own situation and works through her own feelings. She learns to empathize with and see a different side to a classmate she wouldn’t have otherwise gotten close to.
Though I didn’t figure out I was bi until later in my life, I could still relate a lot to Mattie’s experiences. The newness of being attracted to someone of a different gender than before, the uncertainty as to how people around me will react to finding out about you being bi, the guilt of keeping secrets from people that you want to trust, these were all familiar feelings for me.
I guess one of the most relatable aspects of Mattie’s experiences is her anxiety when interacting with her crush. I can never be completely at ease when I interact with my crushes, even when we’re good friends. The awkwardness Mattie feels is so real to me.
If there was one thing I didn’t like about the book, it was a few passages that came off as really white-centric. There were two different passages describing Mattie and Gemma and their respective levels of attractiveness that felt like they were centering white beauty standards. There was also another minor scene where Mattie wants to play the part of an immigrant in a class activity and she described immigrants in an othering way. Other than these bits, I enjoyed the book a lot.
Recommendation: Recommended for the cute and fun story and charming characters.