Tag Archives: Fantasy

Magic Number 3: SFF YA Trilogies by POC and Indigenous Authors

Even though POC and Indigenous authors are finding success in SFF YA more so than in the past, it’s still hard to find longer series by POC and Indigenous authors, especially ones that are #ownvoices or feature POC and Indigenous characters. I can only think of one prominent SFF YA series by an author of color featuring protagonists of color that’s longer than three books, and that’s An Ember in the Ashes, which is planned for four books total (Book 4 is coming in 2019). Anyway, in order to put the spotlight on some SFF YA series by POC and Indigenous authors, I decided to put together this post of trilogies because I seemed to come across a lot of them in my reading journey. Three is the magic number, I guess. (Note: I’ve included some series that only have 3 books announced so far that may end up being longer.)
Completed Series

 

The Legend Trilogy by Marie Lu (Chinese American)

  1. Legend
  2. Prodigy
  3. Champion

 

The Young Elites by Marie Lu (Chinese American)

  1. The Young Elites
  2. The Rose Society
  3. The Midnight Star

 

Blood of Eden by Julie Kagawa (Japanese American)

  1. The Immortal Rules
  2. The Eternity Cure
  3. The Forever Song

 

The Feral Trilogy by Cynthia Leitich Smith (Muscogee Creek Nation)

  1. Feral Nights
  2. Feral Curse
  3. Feral Pride

 

The Prophecy Series/Dragon King Chronicles by Ellen Oh (Korean American)

  1. Prophecy
  2. Warrior
  3. King

 

The Vicious Deep Trilogy by Zoraida Córdova (Ecuadorian American)

  1. The Vicious Deep
  2. The Savage Blue
  3. The Vast and Brutal Sea

 

The Dove Chronicles by Karen Bao (Chinese American)

  1. Dove Arising
  2. Dove Exile
  3. Dove Alight

 

Killer of Enemies by Joseph Bruchac (Abenaki Nation)

  1. Killer of Enemies
  2. Trail of the Dead
  3. Arrow of Lightning

 

Penryn and the End of Days Trilogy by Susan Ee (Korean American)

  1. Angelfall
  2. World After
  3. End of Days

 

The Tribe Series by Ambelin Kwaymullina (Palyku Nation)

  1. The Interrogation of Ashala Wolf
  2. The Disappearance of Ember Crow
  3. The Foretelling of Georgie Spider

 

The Girl at Midnight by Melissa Grey (Puerto Rican)

  1. The Girl at Midnight
  2. The Shadow Hour
  3. The Savage Dawn

 

Forget Tomorrow Trilogy by Pintip Dunn (Thai American)

  1. Forget Tomorrow
  2. Remember Yesterday
  3. Seize Today

 

Ruined by Amy Tintera (Mexican American)

  1. Ruined
  2. Avenged
  3. Allied

 

The Beyond the Red Trilogy by Ava (now known as Gabe) Jae (Latinx)

  1. Beyond the Red
  2. Into the Black
  3. The Rising Gold

 

The Sea of Ink and Gold Trilogy by Traci Chee (Asian American, not sure of exact ethnicity)

  1. The Reader
  2. The Speaker
  3. The Storyteller

 

The Effigies Series by Sarah Raughley (Black)

  1. Fate of Flames
  2. Siege of Shadows
  3. Legacy of Light

Ongoing Series

 

The Timekeeper Trilogy by Tara Sim (Indian American)

  1. Timekeeper
  2. Chainbreaker
  3. Firestarter (out January 15, 2019)

 

The Bone Witch Trilogy by Rin Chupeco (Filipino)

  1. The Bone Witch
  2. The Heart Forger
  3. The Shadow Glass (coming out March 1, 2019)

 

The Shadowshaper Cypher by Daniel Jose Older (Cuban American)

  1. Shadowshaper
  2. Shadowhouse Fall
  3. Untitled, TBA

 

Akata Witch by Nnedi Okorafor (Nigerian American)

  1. Akata Witch
  2. Akata Warrior
  3. Untitled, TBA

Children of Blood and Bone

Legacy of Orïsha by Tomi Adeyemi (Nigerian American)

  1. Children of Blood and Bone
  2. Children of Virtue and Vengeance (coming out March 5, 2019)
  3. Untitled, TBA

Mirage.jpg

Mirage by Somaiya Daud (Moroccan American)

  1. Mirage
  2. Court of Lions (coming out 2019)
  3. Untitled, TBA

A Spark of White Fire

The Celestial Trilogy by Sangu Mandanna (British Indian)

  1. A Spark of White Fire
  2. Untitled, TBA
  3. Untitled, TBA

For a Muse of FIre

For a Muse of Fire by Heidi Heilig (Chinese American)

  1. For a Muse of Fire
  2. Untitled, TBA
  3. Untitled, TBA

Upcoming Series

These series titles are simply the name of the first book since that’s all the info we have on them for now.

The Tiger at Midnight

The Tiger at Midnight by Swati Teerdhala (Indian American)

  1. The Tiger at Midnight (out April 23, 2019)
  2. Untitled, TBA
  3. Untitled, TBA

Blood Heir by Amelie Wen Zhao (Chinese American)

  1. Blood Heir (out June 4, 2019)
  2. Untitled, TBA
  3. Untitled, TBA
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[Blog Tour] Character Playlists for The Speaker by Traci Chee

Hi again, everyone! In case you didn’t know, The Reader by Traci Chee was one of my favorite books of 2016 (see my review here). The Speaker, which is Book 2 in the trilogy, was one of my favorite books of 2017. The final installment, The Storyteller, is coming out next Tuesday the 13th (in the U.S.).

For the purpose of promoting The Storyteller and its prequels, I signed up for the official blog tour and put together two playlists of five songs each for Sefia and Archer, the two main characters of the series, based on The Speaker and The Reader.

There will be some spoilers involved in the synopsis for The Speaker and my commentary for the songs I chose, so reader discretion is advised. If you have read The Reader and The Speaker, hopefully you’ll enjoy this tribute, and if you haven’t read them [yet], it’s never too late to join the fandom. 🙂

The Book

The Speaker

Having barely escaped the clutches of the Guard, Sefia and Archer are back on the run, slipping into the safety of the forest to tend to their wounds and plan their next move. Haunted by painful memories, Archer struggles to overcome the trauma of his past with the impressors, whose cruelty plagues him whenever he closes his eyes. But when Sefia and Archer happen upon a crew of impressors in the wilderness, Archer finally finds a way to combat his nightmares: by hunting impressors and freeing the boys they hold captive.

With Sefia’s help, Archer travels across the kingdom of Deliene rescuing boys while she continues to investigate the mysterious Book and secrets it contains. But the more battles they fight, the more fights Archer craves, until his thirst for violence threatens to transform him from the gentle boy Sefia knows to a grim warrior with a cruel destiny. As Sefia begins to unravel the threads that connect Archer’s fate to her parents’ betrayal of the Guard so long ago, she and Archer must figure out a way to subvert the Guard’s plans before they are ensnared in a war that will pit kingdom against kingdom, leaving their future and the safety of the entire world hanging in the balance.

The Author

Traci Chee

Traci Chee is an all-around word geek, she loves book arts and art books, poetry and paper crafts. She studied literature and creative writing at the University of California, Santa Cruz, and earned a master of arts degree from San Francisco State University. Traci grew up in a small town with more cows than people, and now feels most at home in the mountains, scaling switchbacks and happening upon hidden highland lakes. She lives in California with her fast-fast dog. The Speaker is the second book in the Sea of Ink and Gold trilogy that began with The Reader.

The Playlists

Note: Clicking on the hyperlinks will redirect to YouTube where you can listen to the songs. The translated lyrics I’ve included correspond to the parts of the song that resonate the most with the story and the characters’ feelings. All lyrics translations were done by me unless otherwise specified. Please do not use my translations without my explicit permission.

Sefia’s Playlist

Arranged to arrive on this Earth, yet separated in en route
Are the roads we walk the same?
Looking at the same radiant sun, I suddenly have a premonition
Long-estranged strangers will meet each other

Perhaps it’s that your smile has a similar curve to mine
Perhaps it’s because the constellation you guard is the same as mine
Perhaps it’s that the endless night is especially lonely
So leaning back to back, we wait for dawn

If the night is not dark, why yearn for beautiful dreams?
The breaking of dawn will be the ultimate reward for those who persist
If the night is too dark, then we will close our eyes and gaze
Hoping that if it doesn’t extinguish, it will brighten into starlight in the heart

The first time I encountered you, the overcast sky obscured your side profile
Whatever stories you had, I longed to understand
I feel I understand your uniqueness

Your heart has a wall, but I’ve discovered a window
Sometimes revealing a trace of warm glimmering light
Even if you have a wall, my love will climb onto the windowsill and bloom
Opening the window, you’ll see the sorrow dissolve

Because we can’t fly
The voyage to happiness is long
Inevitably, there are storms ahead of us
That will try to tear apart our tightly gripped hands
If you aren’t afraid, you aren’t troubled, then I won’t fret

When we’ve crossed over the ocean of love
We’ll celebrate that we ultimately never gave up or backed down
On the flourishing shore, the glistening teardrops from the along the way
Will be buried as treasure

This turbulent ocean of love
Has too many, too many sorrowful waves
Let’s not be like that, let’s not regret anything
We have to cross the ocean together
We have to reach the shore together

If at times we lose heart or are disappointed
That’s because we love the other person too much
Who can be skilled in love at the very start?
Who can have a direction when they’ve just embarked?
Not arduous, not difficult, no need to yearn

I’ve fallen in love with you, I’ve fallen in love with you
It’s fated to be you; I’ve failed utterly
I’ve fallen in love with you, I’ve fallen in love with you
It was long prophesied that we would separate, decided that it would be a tragedy

Whatever time Heaven has allotted me
I’ll give it all to you; I’ve forgotten myself
Hurrying in the limited time left in life
Let this moment halt right here

As long as you live another day, I’m willing
No matter if there’s worse news tomorrow
As long as you live another day, my heart
My heart will be satisfied

Archer’s Playlist

  • Heart of Sword ~夜明前 (Before Dawn) – T.M. Revolution
    • This song is one of the ending themes for the anime adaptation of the manga series Rurouni Kenshin (aka Samurai X), which focuses on a samurai who was once a notorious assassin but has since reformed. To me, this song suits Archer’s life after being kidnapped by impressors and forced to live a violent life on the edge, living for the next fight, the next day.
      Here is a translation of the chorus, which I found on AnimeLyrics.com (translated by Rizuchan)

Though I’m alone, I think I can cross over the distant tomorrow
As long as it’s still dawn
These feelings that will rush if they are left alone
And that dream will pass by each other again

Thank the Heavens, thank the Earth
Thank Fate for letting us meet
Ever since I’ve had you, life has been full of miracles
Drifting together, roaming together, interweaving into a brilliant tapestry of memories

Thank the wind, thank the rain
Thank the sunlight for illuminating the earth
Ever since I’ve had you, the world has become very beautiful
Drifting together, roaming together, the years are all filled with drunken sweetness

The sea can dry up, the stones can rot, the sky can collapse, the earth can split
We will stand shoulder to shoulder, hand in hand

It was you
Who, in the wilderness
In the discouraged mortal world
Let me glimpse you in one glance

It is I
Who doesn’t have a complete heart
Nor am I a perfect person
Able to love you

So you can be infatuated
I can be unrestrained
Neither of us mentioning the hurt we’ve endured
As long as there is a place for us to roam

Tomorrow is the final day to see each other one last time
Let the dawn pass before us
Please settle into sleep before I leave
I fear the feeling of breakups the most

Tomorrow is the final day to see each other one last time
So forget what month, what year it is
When you open your eyes
I will appear one day to say I love you again

[Blog Tour] Review for Star-Touched Stories by Roshani Chokshi

Title: Star-Touched Stories

Author: Roshani Chokshi

Publisher: Wednesday Books

Publication Date: August 7th, 2018

Those who have read my reviews of The Star-Touched Queen and A Crown of Wishes know that I adored them, so when I found out about Star-Touched Stories, my heart leapt with excitement. Now that I’ve read it, I can say it lived up to my expectations.

Disclaimer: This review is based on the ARC I received from the publisher as part of the blog tour in exchange for an honest review.

Warning: Spoilers ahead for The Star-Touched Queen and A Crown of Wishes, so reader discretion is advised. I strongly recommend reading The Star-Touched Queen and A Crown of Wishes before reading Star-Touched Stories.

Each of the three stories blends fantasy and romance and builds upon the world from TSTQ and ACOW.

Death and Night is the swoony tale of courtship between Maya and Amar from The Star-Touched Queen, taking the reader back to when they first met lifetimes ago. The two immortal beings Death and Night are hated and feared by many in the mortal realm and Otherworld alike for their dark natures, but in each other they find beauty, passion, and possibility.

Even knowing how things would end, I still felt the thrill of suspense and tension. I read this story already when it was first released by itself as an e-book novella, and I savored it again on the second read-through. It makes me want to reread The Star-Touched Queen with fresh eyes and attend to the dramatic irony that will appear now that I have the backstory.

Poison and Gold centers on Aasha, the curious and earnest vishakanya from A Crown of Wishes, taking her from supporting role to the forefront. As she is adjusting to her new life in the mortal realm among humans, she is offered a position as Gauri and Vikram’s Spy Mistress. However, the title and responsibility must be earned and approved by the current Spy Mistress of Bharata, Zahril, who is mysterious, proud, and nearly impossible to please. Driven by ambition and the desire to help her friends, Aasha rises to the challenge of training under Zahril, and in the process, finds herself and first love.

If you like puzzles and brain teasers, this story is riddled with them (pun intended). Poison and Gold is a coming-of-age story that gives Aasha satisfying depth and development as she evolves from rough and awkward stone to gleaming polished gem.

Last but not least is Rose and Sword, which alternates between past and present as a young princess of Bharata-Ujijain (alternatively called Bharat-Jain on the back cover, I’m assuming the inconsistency will be corrected in the final version) named Hira listens to her grandmother tell a tale about Gauri’s wedding night, when she discovers Vikram is fated to die that very night. Just as she is about to give up hope, Gauri is presented with a chance to bring Vikram back from the dead, but taking it means braving the dangers of Naraka as well as the faults of the human heart. With great love comes great risk, and Gauri must make a choice about whether the risk is worth the outcome.

Alternating between Hira and Gauri’s points of view creates both distance and immediacy, outsider perspective and embodied subjectivity, revisiting familiar characters with a fresh gaze. The balance between the two makes room for meta-commentary not only on the events of the story but also folkloric storytelling itself as an art and oral tradition. This story is at once bittersweet and hopeful and makes for the perfect goodbye to the world of the Star-Touched stories (if this is indeed the end).

Conclusion: All three stories are written with Roshani Chokshi’s signature gorgeous, evocative prose, rendering the characters’ emotions palpable. When people joke about authors whose grocery lists they would read, Roshani Chokshi is one of the authors who comes to mind for me. If you’ve read TSTQ and ACOW, don’t miss out on Star-Touched Stories.

Content/Trigger Warnings:

  • Aromisia: There are a few places where the celebration of romance veers into positioning it as universal for humans/above other kinds of love/relationships, which is probably the most notable flaw about the book.
  • Binarism: Although this collection features an f/f romance in Poison and Gold, and queerness is referenced in the stories, it’s still restricted to the context of binary genders, men and women, which was disappointing to me as a non-binary reader.
  • Transmisogyny: There’s a scene in Aasha’s story where Vikram dresses up as a harem wife to sneak in because men aren’t allowed in the women’s quarters, and it’s played for laughs like it was in A Crown of Wishes (mentioned it in my review there as well). Although Vikram does argue that dresses are more comfortable, the act of crossdressing is still framed as a humorous and deviant thing to do to scandalize other people. This framing fails to recognize the violence of gender policing/cisnormativity and the danger that trans/non-binary/gender-nonconforming folks face for defying those norms.

Author Interview: Livia Blackburne

I know I’m late, but here is the fourth and final interview for my Taiwanese American Heritage Week series, with Livia Blackburne, whose most recent book Rosemarked was one of my favorite reads of 2017. I’m dying for the sequel, Umbertouched, which comes out later this year (November 6th), but in the meantime, here’s a spoiler-free interview with Livia about Rosemarked and writing. 🙂

Synopsis of Rosemarked from Goodreads:

A healer who cannot be healed . . .

When Zivah falls prey to the deadly rose plague, she knows it’s only a matter of time before she fully succumbs. Now she’s destined to live her last days in isolation, cut off from her people and unable to practice her art—until a threat to her village creates a need that only she can fill.

A soldier shattered by war . . .

Broken by torture at the hands of the Amparan Empire, Dineas thirsts for revenge against his captors. Now escaped and reunited with his tribe, he’ll do anything to free them from Amparan rule—even if it means undertaking a plan that risks not only his life but his very self.

Thrust together on a high-stakes mission to spy on the capital, the two couldn’t be more different: Zivah, deeply committed to her vow of healing, and Dineas, yearning for vengeance. But as they grow closer, they must find common ground to protect those they love. And amidst the constant fear of discovery, the two grapple with a mutual attraction that could break both of their carefully guarded hearts.

This smart, sweeping fantasy with a political edge and a slow-burning romance will capture fans of The Lumatere Chronicles and An Ember in the Ashes.

Q: In YA, we always talk about the concept of “strong female characters,” and in fantasy, these tend to be warrior-types who literally kick ass. In Rosemarked, your main female character, Zivah, is a healer rather than a warrior. What do you think makes her strong, and what do you believe a healer’s perspective brings to the story?

A: I’m glad you made that observation! Writing Zivah the way I did was a deliberate choice after writing Midnight Thief, in which the main character  Kyra was a more traditional type of kick ass heroine. And while I love Kyra, with Rosemarked, I started thinking about other kinds of strength. What are other ways to change the world, if you are not able to beat up everyone you meet? And so, there’s Zivah. Physically, she’s very weak. In fact, she’s very close to death. But she’s smart. She’s worked hard to gain knowledge, and she’s savvy about applying it. She’s also determined, loyal, and brave.

Q: The Rose Plague is a very distinctive illness in how it manifests. Did you base it on any real life disease(s)?

A: The broad strokes of rose plague were inspired by leprosy. In fact, one of the main inspirations for Rosemarked was a play about the Hawaiian leper colony at Molokai. I was struck not only by the biological aspects of the disease, but the social emotional aspect aspect. It’s bad enough to develop a terminal illness. How much worse is it to have to deal with that illness in quarantine, apart from your family and everyone you love? For the specific symptoms of rose plague, I borrowed from a whole bunch of different diseases. Rashes, of course, are very common disease marker, and I also included some flu-like symptoms such as fever and delirium.

Q: Although Rosemarked is a fantasy novel, there are aspects of it that I could tell were grounded in science. Was your science background (Biochemical Science and Cognitive Neuroscience) helpful in writing this book, and if so, how?

A: Well, I did a lot of research into the history of medicine to find inspiration for the healing techniques used in the story, and my biochemistry background helped out a lot with that. Also, the story centers around a memory potion. While that potion is strictly fantasy, it is based on real neuroscience principles of memory. For example, the potion takes away your personal memories and your knowledge of the world, but doesn’t take away physical skills such as the ability to use a sword. This is very similar to actual incidences of amnesia, where people might forget ever learning to play the piano but still be able to play a minuet.

Q: One of the central conflicts of Rosemarked and Umbertouched is the colonial occupation of Dara and Shidadi people by the Amparan Empire. Are any of these cultures based on real life cultures?

A: None of the cultures map directly onto a real world culture. When I decided I wanted to write an ancient empire, I did look at the Persian empire as an example of how an empire might be run in that kind of time, with that kind of technology. And some aspects of the Persian empire did make it into the Amparan empire. For example, the importance of roads for transportation and communication, as well as a very cool military technique that appears in Umbertouched.

On the other hand, Ampara differs from Ancient Persia in many ways as well. Most notably, the Persian empire was actually quite good to the people it subjugated, so much so that sometimes their armies were welcomed as liberators. Anyone who reads Rosemarked, however, knows that the Amparan empire is anything but merciful.

There is some Asian influence, especially in the landscape of Monyar peninsula. One of the early Amparan surgeries described in Rosemarked was based on a real technique used in ancient India. And here’s a random bit of trivia, the basic philosophies of the Shidadi and Dara people stem from two sides of a Facebook debate about safety, liberty, and government overreach that scrolled across my news feed after the Boston marathon bombing. I wouldn’t read too much into the story about my own political views though. The story goes where it will.

Q: Rosemarked is your sophomore series. Has your writing process for this series changed from when you were writing Midnight Thief, and if so, how?

A: Midnight Thief was the first novel I ever completed, and I really had very little idea of what I was doing. A lot of things, like character traits, or world building, I kind of improvised as I went along. With Rosemarked, I was a lot more deliberate about planning beforehand. I spent a lot more time on world building. I thought a lot about what I wanted the story to be like, what I wanted the characters to be like, and what I wanted that I asked to be. Basically, I built a much stronger foundation and it saved me a great deal of time in revisions.


Livia Blackburned author headshot.jpg

New York Times bestselling author Livia Blackburne wrote her first novel while researching the neuroscience of reading at the Massachusetts Institute of Technology. Since then, she’s switched to full time writing, which also involves getting into people’s heads but without the help of a three tesla MRI scanner. She is also the author of MIDNIGHT THIEF (an Indies Introduce New Voices selection), DAUGHTER OF DUSK, and ROSEMARKED (an Amazon best book of the month and YALSA Teens Top Ten Nominee).

Author Interview: Henry Lien

Hi again! Today’s Taiwanese author interview is with Henry Lien on his debut middle grade fantasy novel Peasprout Chen, Future Legend of Skate and Sword.

Peasprout Chen Future Legend of Skate and Sword

The synopsis from Goodreads:

Welcome to Pearl Famous Academy of Skate and Sword, where the blades are sharp and the competition is fierce. 

Peasprout Chen dreams of becoming a legend of wu liu, the deadly and beautiful art of martial arts figure skating. 

As the first students from the rural country of Shin to attend Pearl Famous Academy of Skate and Sword, Peasprout and her little brother Cricket have some pretty big skates to fill. They soon find themselves in a heated competition for top ranking. 

Tensions rise when the dazzling pearl buildings of the Academy are vandalized and outsider Peasprout is blamed for the attacks by her rivals … and even some friends. 

Now, she must uncover the true vandal to ensure peace between Shin and Pearl – all while becoming a champion.

Now, buckle-in for this in-depth interview!

Q: To start off, what is your favorite Taiwanese food? (You’re allowed to pick more than one.)

A: What a great question! Food is identity. I choose dan-dan mian (peanut butter noodle). It’s classically Taiwanese, naturally vegan, appeals to young and old, and serves as an eminently charismatic introduction to Taiwanese food. It makes an appearance in the second PEASPROUT CHEN book. In fact, there are a lot of cameos by Taiwanese food in the series.

Runner up would be a traditional Taiwanese breakfast spread with ride porridge, three kinds of pickled vegetables, simmered tofu, fried crullers, warm soy milk, etc. Truly the best breakfast in the world and I will fight, kill, and toss into the sea anyone who says different.

Q: Tell us a little more about Peasprout and the world of Pearl beyond what’s in the synopsis.

A: Peasprout is a huge personality. She is courageous, has a huge heart, is expressive (when she’s not reticent), is warm (when she’s not being icy), makes grand, gorgeous, generous gestures, says things that no one else says, does things that no one else thinks to do or has the guts to do. She is always the most original, most talented, most unforgettable person in the room. When you meet her, you will think about her later that day. She is also self-aggrandizing, deluded, extreme, a bit of a weirdo, and rather lonely. She’s pretty much me.

It was excruciating to write such a deeply flawed character based so candidly on myself while forbidding myself from shading her more flatteringly. However, writing this way was an exercise in a) learning to applaud the parts of myself that I am proud of while; b) gazing at my flaws fully and hideously lit; and c) accepting that I’m perpetually a work in progress and will probably die that way. Sigh.

Regarding the world of Pearl, I could go on and on. It’s a world where you can skate on any surface, any rooftop, handrail, balustrade, etc. The entire city was built to accommodate this fictional sport of wu liu, which combines figure skating with kung fu. The city is essentially a figure skating, kung fu amusement park. It was my own personal parkour course on a city-scale, my own private Disneyland built from a brain-scan of what I liked and cared about. I feel like joy is pretty thin in science fiction/fantasy and the world in general these days. I wanted to create a city that while far from perfect, was in one primary way an exuberant expression of pure joy.

Q: Why the name Peasprout?

A: I wanted a name that that was gender-neutral, equally adorable in English, Mandarin, and Taiwanese, didn’t actually exist, and had a lot of personality. I wanted something that was as rich in Chinese/Taiwanese flavor as the names that Tolkien made up to express essential Englishness in his works.

Q: Given the history and current presence of Asian Americans in figure skating, from Michelle Kwan and Kristi Yamaguchi to today’s Karen Chen, Nathan Chen, and Alex and Maia Shibutani, it feels appropriate to have an Asian ice skating story. Did any of these skaters influence or inspire your story?

A: Massive influence! I don’t feel equipped to make generalizations about why there is such a high representation of Asian Americans in the sport. However, Kwan and Yamaguchi had to both deal with a lot of misstatements and nonsense regarding their Asian heritage in media coverage about their performances, endorsements, etc. That unfairness influenced the book since Peasprout herself is an immigrant and a dawning awareness of unfairness in the world is a classic theme in middle grade fiction.

On a more fundamental level, it felt right to write an Asian skating story because I always saw figure skating as the soulmate of traditional wushu (kung fu).

Q: What kinds of research did you do for this story, if any?

A: I took figure skating and kung fu lessons and was appalling at both. I wrote a blog about it, actually. If you want a good laugh, here’s a link: http://henrylien.com/writer-suffers-devastating-injuries-while-researching-kung-fu-figure-skating-childrens-book/ Despite the farcical tone, it’s actually 99% true. Read it and laugh at my woe.

For the worldbuilding, I also did a tremendous amount of research about language, culture, history, international relations, the complex history among Taiwan, China, and Japan, marine biology, architecture, engineering, meteorology, fashion, puberty, culinary fads, superstition, and on and on and on. A lot of that is happening under the hood but there’s so much solid research supporting the book that I in fact don’t really consider it fantasy. The fantastical worldbuilding is actually just exaggerated/extrapolated real stuff. I deliberately set out to write a fantasy that had no magic because I wanted to show that culture and history are in themselves magic enough.

For the characters and the interpersonal dynamics, I spent a lot of time in conversation with women including my sister, my agent, my editor, beta readers, etc., to make the representation of girls diverse and realistic, since I was writing from outside my own lived experience. I particularly wanted to examine the oft-bandied generalization that girls are socialized to be more relational and to develop instant relationships, positive or negative, with every other girl in their social unit, which instinctively felt super-sweeping and super-binary. Whether or not there is truth in this generalization, I wanted to explore the idea that not all girls are like this, want this, or agree with this generalization. Appreciating the differences of opinion about this idea was one of the things I spent the most time on.

Q: What would you say has been the hardest part of writing Peasprout Chen?

A: This question is hard to answer because everything about this book was hard. Perhaps the hardest thing was the puzzle nature of the plot. I was determined to write a puzzle plot that was as ambitious as “Harry Potter and the Prisoner of Azkhaban” or “Abre Los Ojos”. The engineering required to pull off such a plot while staying mindful of all the other elements that go into a book while serving my particular plot’s unusual requirements for pacing, frequency of clues, scaling of transparency of clues to a vast age range of potential readers, passage of time in the book’s world (mapped onto a rigid academic schedule and seasons that don’t match with our world’s seasons but have plot impacts), number of pages elapsed, etc., while also making the book as enjoyable on a second read after you learn its secrets, all while striving for a feeling of effortlessness in the choreography of story elements, was a staggering amount of work.

Q: I went and listened to the podcast of Pearl Rehabilitative Colony for Ungrateful Daughters, which was posted on Asimov’s Science Fiction (links: Part 1, Part 2). According to your site, Peasprout Chen’s story is a sequel to this story but also the first in a trilogy of its own. Why did you choose to Peasprout Chen’s story as the start for the series?

A: “Pearl Rehab Colony” was always intended as a contained experiment, a sort of proof of concept for the larger series. It’s told from the POV of Suki, the villain of the Peasprout Chen series. As such, it was intended as an experiment to test my powers of empathy and ventriloquism. However, Suki’s head is a cramped, claustrophobic, forbidding place in which to situate a viewpoint. I don’t think readers would have been able to bear spending 360 some pages in the head of such a nasty person. Peasprout is quite the pill herself but a different sort of pill, one whose edges break off as it goes down, one that sweetens while being broken apart. In some ways, Peasprout’s story is not the story of a winner, but of a loser, and it takes a tenderer, more complex narrator than Suki to bear such things with dignity and beauty. I wanted a narrator that showed that being vulnerable was not incompatible with being strong.


Henry Lien author headshot

Henry Lien is a 2012 graduate of Clarion West, and his short fiction has appeared in publications like Asimov’s, earning multiple Nebula Award nominations. Born in Taiwan, Henry currently lives in Hollywood, California. Before becoming an author, Henry worked as an attorney, fine art dealer, and college instructor. His hobbies include vegan cooking, losing Nebula awards, and finding excuses to write and publicly perform science fiction/fantasy themed anthems. He is the author of Peasprout Chen, Future Legend of Skate and Sword.

Author Interview: Fonda Lee

Hey everyone, sorry for the gap in posting. Today’s interview is with Fonda Lee. Aside from addressing more general writing questions, this interview will touch on the first book of her adult fantasy, Jade City, which came out late last year, as well as her YA science fiction duololgy that began with Exo and concludes with Cross Fire, which is coming out later this month on May 29th. For context, I’m giving y’all the summaries of the books. (There won’t be any spoilers in the interview.)

Exo and Crossfire take place in a future in which Earth is colonized by aliens called the zhree. Here’s the Goodreads summary for Exo:

It’s been a century of peace since Earth became a colony of an alien race with far reaches into the galaxy. Some die-hard extremists still oppose alien rule on Earth, but Donovan Reyes isn’t one of them. His dad holds the prestigious position of Prime Liaison in the collaborationist government, and Donovan’s high social standing along with his exocel (a remarkable alien technology fused to his body) guarantee him a bright future in the security forces. That is, until a routine patrol goes awry and Donovan’s abducted by the human revolutionary group Sapience, determined to end alien control.

When Sapience realizes whose son Donovan is, they think they’ve found the ultimate bargaining chip . But the Prime Liaison doesn’t negotiate with terrorists, not even for his own son. Left in the hands of terrorists who have more uses for him dead than alive, the fate of Earth rests on Donovan’s survival. Because if Sapience kills him, it could spark another intergalactic war. And Earth didn’t win the last one…

And the Goodreads summary for Jade City:

FAMILY IS DUTY. MAGIC IS POWER. HONOR IS EVERYTHING.
Magical jade—mined, traded, stolen, and killed for—is the lifeblood of the island of Kekon. For centuries, honorable Green Bone warriors like the Kaul family have used it to enhance their abilities and defend the island from foreign invasion.

Now the war is over and a new generation of Kauls vies for control of Kekon’s bustling capital city. They care about nothing but protecting their own, cornering the jade market, and defending the districts under their protection. Ancient tradition has little place in this rapidly changing nation.

When a powerful new drug emerges that lets anyone—even foreigners—wield jade, the simmering tension between the Kauls and the rival Ayt family erupts into open violence. The outcome of this clan war will determine the fate of all Green Bones—from their grandest patriarch to the lowliest motorcycle runner on the streets—and of Kekon itself.

Jade City begins an epic tale of family, honor, and those who live and die by the ancient laws of jade and blood.

Now, for the actual interview!

Q: Unlike many aliens we see in sci-fi, the aliens in Exo and Cross Fire, the zhree, are very clearly non-humanoid. Are there any real life-forms that inspired their design?

A: I was very intentional about not making the zhree humanoid. There are so many humanoid aliens in science fiction because Hollywood has human actors; I don’t have that constraint as a novelist. I wanted the aliens to be truly alien, but they needed to have certain characteristics to satisfy the premise of humans and aliens coexisting and cooperating on a future colonized Earth. I made a list of what traits would make an alien race compatible with us; they would be land-dwelling, use vocal communication, and be intelligent tool users. I also knew, from all the research I did into space travel for my previous novel, Zeroboxer, that radiation and harsh conditions are a major barrier to astronauts. An alien species with natural body armor would have a huge advantage over us in creating a galactic civilization. So that’s how the zhree came about: I envisioned them sort of as six-limbed, armored land octopi.

Q: The main character of the Exo duology, Donovan, has a unique position of privilege within the zhree-dominated colonized society because of his father’s political influence and his own integration of zhree technology into his physiology to become more like the zhree. What made you decide to center his perspective exclusively as opposed to, or without the addition of, that of someone with less privilege or even someone in the anti-colonial organization Sapience, like Anya?

A: I’d read plenty of young adult dystopian novels in which the protagonists are rebels fighting oppression: The Hunger Games, Divergent, etc. They’ve become a staple of the category. It’s easy to root for and identify with a character who’s downtrodden and trying to forcibly overthrow an evil empire. It’s more challenging to understand and change the system from within. I love moral ambiguity in my fiction; I don’t want to make it easy for readers to identify good guys and bad guys (in fact, I never write them), because the real world is rarely so simple. If I’d written the book from Anya’s perspective, or written it in dual-POV, it would’ve been like a dozen other YA dystopian novels. Here’s the thing: the world is NOT dystopian from Donovan’s POV. In fact, it’s pretty darn good. Which goes to show that dystopia is all a matter of perspective. You could say that I wrote EXO and CROSS FIRE specifically as a way of challenging myself to make readers like, understand, and even root for, the “other side.” Donovan and his friends are good people who try to do what they believe with their own solid reasoning is truly right, which is to uphold the alien colonial regime. I want that to mess with reader’s heads.

Q: One of the hardest aspects of writing speculative fiction is avoiding excessive infodumps. How do you manage the balance between action/suspense and providing information on the world the characters inhabit?

A: One of the keys to seamless worldbuilding is to weave information into the narrative in a natural way. The story should keep plowing forward and readers should be able to absorb everything they need to know in context. This also means giving the characters opportunities to interact with the world and examine the backstory in a way that informs the reader, without it ever seeming to inform the reader. For example, I don’t open EXO with an infodump on how the aliens came to rule Earth. It’s not until about a third of the way through the book that Donovan happens to see some old footage of the invasion and that’s when the reader gets it, in an almost “oh, by the way” as the story progresses.

Q: I know you have a background in martial arts, which must be helpful for writing the action and combat scenes in your books. What advice do you have on writing such scenes for people who don’t have that background?

A: Don’t get caught up in the nitty-gritty blow-by-blow details. Action scenes have to have narrative purpose and emotional consequence for the characters; that’s the most important thing. That said, action scenes should have rhythm, freshness, and clarity. Don’t use the same old clichés, “Her heart was pounding,” or “He saw red.” Come up with better ways of conveying the sensations of the fight, and make sure the reader can clearly visualize what’s happening. Finally, there’s no substitute for research. That might be first hand (take martial arts classes, learn to safely handle weapons) or second hand (for me, that included watching a lot of live MMA, action movies, videos on YouTube, and seeking out good action and fight scenes in other books.)

Q: I’ve only gotten to read a small part of Jade City, but I got very distinct Taiwan vibes from some of the worldbuilding. I know you’ve mentioned Taiwan, Hong Kong, Singapore, Hawaii, Japan as influences on the worldbuilding for Jade City in another interview. Are there any parts of the setting based on very specific real life locations, e.g. a particular neighborhood, street, building you’ve seen or visited?

A: The city of Janloon in Jade City is very much a world entirely of my own imagination. Think of it like Wakanda in Black Panther; it’s a place very much formed out of real world cultures and geography and aesthetic cues, but it’s also magical and completely its own place. I want the reader to feel like this setting is familiar, but they shouldn’t be able to identify anything that’s obviously from our world. Even the brands of cars and motorcycles and guns are invented; but my goal was to render everything so specifically that it feels real.

Q: Your debut novel, Zeroboxer, was a standalone whereas Exo and Jade City are both the first books in series. How has your writing process for these series differed from your writing of Zeroboxer, if at all, and do you have any advice for writing multi-volume stories?

I’ll hopefully be able to answer this question in a few years! Right now, I’m in the thick of working on the Green Bone Saga, so the one thing that I can tell you is that writing a sequel comes with its own set of challenges and is just as hard as writing the first book. (Not least of all because of the more aggressive deadlines.) The only way that the writing process really differs is that I have to think further ahead. For example, as I’m writing the second book now, I’m thinking about how certain thing might have repercussions in the third book. And I have my eye not just on the story arc for this book, but for the entire series.


Fonda Lee photoFonda Lee is the author of the gangster fantasy saga Jade City (Orbit), a finalist for the Nebula Award and named a Best Book of 2017 by NPR, Barnes & Noble, Powell’s Books, and Syfy Wire, among others. Her young adult science fiction novels Zeroboxer (Flux) and Exo (Scholastic) were Junior Library Guild Selections and Andre Norton Award finalists. Cross Fire (the sequel to Exo) releases in May 2018. Fonda is a recovering corporate strategist, black belt martial artist, and an action movie aficionado living in Portland, Oregon. You can find Fonda online at www.fondalee.com and on Twitter @fondajlee.

Most Anticipated MG/YA Releases of September and October

So September and October are a gift because there are so many great kidlit titles coming out from authors of color. Here’s a [far from exhaustive] list of ones I’ve had on my radar! I’ve had the privilege of reading many of these already (16 out of 24, which is 2/3), and I can tell you that they are amazing. 🙂

They Both Die at the End by Adam Silvera (Sep. 5th) – Young Adult, SFF, Gay Puerto Rican (#ownvoices) and Bisexual Cuban American MCs, M/M romance

  • 2 boys who are going to die meet and bond over the course of about 24 hours

You Bring the Distant Near by Mitali Perkins (Sep. 12th) – Young Adult, Historical Fiction, Indian/Bengali American MCs (#ownvoices), Biracial Black/Bengali MC

  • 5 women spanning 3 generations of a Bengali family in the U.S. negotiate their multicultural identities

Shadowhouse Fall (Shadowshaper #2) by Daniel Jose Older – Young Adult, Urban Fantasy, Afro-Latina Puerto Rican MC

  • Supernatural and real world forces of evil threaten the lives and community of Sierra Santiago, who will do anything to protect her own

Warcross by Marie Lu (Sep. 12th) – Young Adult, Science Fiction, Chinese American MC, #ownvoices

  • A gamer girl/bounty hunter hacks her way into the world’s biggest virtual reality game tournament and is hired to track down a suspicious figure lurking in the game

Rebel Seoul by Axie Oh (Sep. 15th) – Young Adult, Science Fiction/Dystopian, Korean MC, #ownvoices

  • A boy who has risen in the military of a future Korea is drafted into a special weapons project that turns girls into war machines and starts to fall for his charge

Rise of the Jumbies (The Jumbies #2) by Tracey Baptiste (Sep. 19th)- Middle Grade, Fantasy, Black Trinidadian MC, #ownvoices

  • Corinne La Mer makes a dangerous journey across the Atlantic to find a way to save the missing children of her island home

One Dark Throne (Three Dark Crowns #2) by Kendare Blake (Sept. 19th) – Young Adult, Fantasy

  • The deadly race for the throne has begun, the last sister standing wins.

The Stars Beneath Our Feet by David Barclay Moore (Sep. 19th) – Middle Grade, Contemporary, #ownvoices Black MC, secondary Black Autistic character

  • Following his brother’s gang-related Death, a boy struggles to cope and avoid the gang life and finds solace in building Lego creations at the community center.

The Way to Bea by Kat Yeh (Sep. 19th) – Middle Grade, Contemporary, #ownvoices Taiwanese American MC, secondary Autistic character

  • One summer away has upended Bea’s life and friendships, forcing her to make new ones and develop confidence in being herself.

Starfish by Akemi Dawn Bowman (Sep. 26th) – Young Adult, Contemporary, Biracial white/Japanese American MC, Social Anxiety rep, #ownvoices

  • An anxious aspiring artist flees her abusive home with an old friend-turned-crush and embarks on a journey that will transform her.

Ahimsa by Supriya Kelkar (Oct. 2nd) – Middle Grade, Historical Fiction, Indian MC, #ownvoices

  • A girl is swept up in the freedom movement of India through her mother’s participation and becomes involved herself in radical change.

Akata Warrior (Akata Witch #2) by Nnedi Okorafor (Oct. 3rd) – Middle Grade/Young Adult, Fantasy, Nigerian American MC, #ownvoices

  • A girl and her friends develop their powers as Leopard people to face down and vanquish a threat to humanity.

Wild Beauty by Anna-Marie McLemore (Oct. 3rd) – Young Adult, Magical Realism, Bisexual Latina/Mexican American MC, #ownvoices

  • The Nomeolvides sisters are blessed and cursed. Flowers flow from their hands, but their love makes those they love disappear. A mysterious boy who emerges from their garden estate may be the key to unlocking the secrets of the past and even breaking the curse.

Seize Today (Forget Tomorrow #3) by Pintip Dunn (Oct. 3rd) – Young Adult, Science Fiction/Dystopian

  • The conclusion to a series about a girl who foresees her own future in which she kills her sister and must work to stop herself.

Pashmina by Nidhi Chanani (Oct 3rd) – Young Adult, Contemporary/Fantasy, Graphic Novel, Indian American MC, #ownvoices

  • An Indian American girl connects with her heritage through a magical pashmina that transports her to India.

Not Your Villain (Sidekick Squad #2) by C.B. Lee (Oct. 5th) – Young Adult, SFF, Black trans boy MC

  • Bells becomes a fugitive due to a coverup by the Heroes’ League and has to take down a corrupt government while applying to college and working up the courage to confess his feelings to his best friend.

Forest of a Thousand Lanterns by Julie C. Dao (Oct. 10th) – Young Adult, Fantasy/Retelling, Chinese MC

  • Xifeng has a great destiny awaiting her, but her path to becoming Empress of Feng Lu requires her to embrace the darkness within her.

Dear Martin by Nic Stone (Oct. 17th) – Young Adult, Contemporary, Black MC, #ownvoices

  • A Black teen processes his feelings about antiblack racism through a journal dialogue with Martin Luther King Jr. and becomes the center of a media storm when he and his friend become victims of police brutality.

A Line in the Dark by Malinda Lo (Oct. 17th) – Young Adult, Contemporary, Thriller, Queer Chinese American MC, #ownvoices

  • Jess harbors a crush on her best friend Angie and through Angie, is drawn into a wealthy but seedy social circle with dangers they cannot escape unscathed.

I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez (Oct. 17th) – Young Adult, Contemporary, Mexican American MC, #ownvoices

  • After her sister’s death, a girl feels alone and pressured to take her sister’s place, only to discover that her sister may not have been as perfect as she seemed.

Like Water by Rebecca Podos (Oct. 17th) – Young Adult, Contemporary, Besexual Latina MC, Secondary qenderqueer character

  • A small-town girl falls for someone who brings to the surface secrets she’s been trying to suppress.

Long Way Down by Jason Reynolds (Oct. 24th) – Young Adult, Contemporary/Thriller, Novel-in-Verse, Black MC, #ownvoices

  • His brother is dead, and he’ll make the killer pay, but as he goes down the elevator, someone new appears who is connected to his brother, and he may not make it to the bottom.

Calling My Name by Liara Tamani (Oct. 24th) – Young Adult, Contemporary, Black Christian MC, #ownvoices

  • A girl navigates her budding sexuality in an ultra-religious environment that treats sex as forbidden and dirty.

Beasts Made of Night by Tochi Onyebuchi (Oct. 31st) – Young Adult, Nigerian-inspired Fantasy, Black MC, #ownvoices

  • Sin-eaters practice magic to rid people of their guilty feelings but pay the price in a being permanently marked and a short life-span. Taj is called to eat the sin of a royal and is forced to fight against an evil that threatens his entire home.

Series Suspense!: 5 Sequels I Need to Read

Not everyone is a fan of book series, but I personally love them because I’m always hungry for more worldbuilding and character development and glimpses into the lives of the secondary characters (if they aren’t taking center stage themselves). Earlier this year, I did a book list featuring my most anticipated sequels releasing in 2017, and now I’m making a list of sequels to books I’ve read that are already out but I haven’t read yet. Hopefully, this will also be an introduction to a book series that you didn’t know about already. 🙂

Dove Exiled

Dove Exiled (The Dove Chronicles #2) by Karen Bao – YA, Science Fiction

I read Dove Arising, the first book in the series, as part of a readathon back in January. I first found the book at a secondhand bookstore, where the author’s last Chinese name caught my attention. The book doesn’t have very high ratings on Goodreads or Amazon, so I went in wondering if and how much I would like it. I ended up enjoying it quite a bit for a number of reasons, including the diversity (Chinese American lead and POC supporting characters!), the integration of real science from the author’s degree/background into the story, and the intense high-stakes conflict. For those who are interested, you can read my full review here.

The Disappearance of Ember Crow

The Disappearance of Ember Crow (The Tribe #2) by Ambelin Kwamullina – YA, Dystopian/SFF

If you missed my Tweet, I just got this and the third book in the series in the mail. Book 1, The Interrogation of Ashala Wolf, was one of the books I read for the #DiversityDecemberBingo reading challenge and I believe it’s the first book by an Indigenous author that I’ve read, sadly (I’ve since expanded my collection though!). Ashala Wolf is a very interesting and distinctive take on dystopian fiction because of the way it frames the dysfunctional society and centers environmental consciousness and spirituality. The author’s Indigenous background (she comes from the Palyku people of the Pilbara region of Western Australia) definitely influenced the portrayal of oppression, giving it the nuance that comes from lived experience. The story is also a bit of a mindfuck because of the unreliable narration. If you’re not a big dystopian fan, I’d still suggest giving this series a try. 🙂 I reviewed the first book here.

The Edge of the Abyss

The Edge of the Abyss (The Abyss Surrounds Us #2) by Emily Skrutskie – YA, Science Fiction

I totally requested this on NetGalley, got approved back in like January, and yet here I am…oops. Book 1 totally caught my attention because of the pirates and giant sea monsters and Chinese American protagonist (oh my!). I was a bit wary because the author is white, and while I didn’t feel like the rep was done super well, it wasn’t horrible either, and overall I still enjoyed the book for the plot and character dynamics. I’m hoping book 2 gives me more of the substance I wanted when I finished book 1 because I had a lot of questions about the worldbuilding and the characters’ backgrounds. You can read my review for The Abyss Surrounds Us here.

Shadowcaster (Shattered Realms #2) by Cinda Williams Chima – YA, Fantasy

This is a doubly sequel-ish sequel because it’s the second book in a sequel series, lol. Though I haven’t talked it about it a ton because I’ve been focusing on books by nonwhite authors on my blog and Twitter, the Seven Realm series is one of my favorite fantasy series for a lot of reasons: heart-stopping action, forbidden romance, good worldbuilding (also the main setting is a matrilineal queendom!), complex character dynamics, and as a bonus, nonwhite people in a high fantasy setting who aren’t just props or foils to white characters! The Shattered Realms series picks up 25 years after the end of Seven Realms, so it’s a pretty big time jump, but familiar characters from the first series show up, and the next generation of heroes is coming of age. Although you can technically read Shattered Realms without reading Seven Realms, if you don’t want to be spoiled for the ending of the Seven Realm series, read them in order! Shattered Realm builds on the first series by taking you deeper into neighboring nations to the Fells and beyond, so the scope is broader, and I’m really excited to explore these new places and characters. (Side note: I am still a bit salty about the mid-series cover change and prefer the original look because it’s iconic/in keeping with the previous series. Also the new covers are by the same artist who did the Throne of Glass covers, and they look too similar, in my opinion. But anyway, moving on…)

Shadowplay (Micah Grey #2) by Laura Lam – YA, Fantasy

I recently featured this series on my bookstagram, as I own both the original editions of the 1st and 2nd book from a publisher that went defunct, and the new editions of the complete trilogy released by Pan Macmillan. I read the first edition of book 1, Pantomime, back in December 2016 and was going to wait until I read the new edition to write a review to account for any changes/edits that have been made since. The Micah Grey series features an intersex, genderfluid, and bisexual protagonist who runs away to join a circus as an aerialist (flying trapeze!). The setting is a place called Elladia (located in a secondary universe) that has some English vibes too it but isn’t quite England, and it has its own mythology that is a part of the broader storyline of the series. If you want escapist fantasy, this is a book to check out. (Note: the original cover for Shadowplay is a bit misleading as the main character isn’t Asian, and I’m not even sure there is a major character who’s Asian in the series… Nor is the author Asian, for that matter.)

I realized after completing this post that all of these are SFF, which is rather predictable of me. Though that bias might also have to do with contemporary YA not being as series-oriented in general. For those who aren’t big SFF fans, I promise do blog about non-SFF books, so stay tuned for future book lists and reviews.

Also, if you want to share, please tell me about some of your favorites series in the comments! ^o^

Mini Reviews: 5 Latinx and Caribbean Reads

 

The Jumbies and Rise of the Jumbies by Tracey Baptiste – MG, Fantasy, Afro-Caribbean/Trinidadian MC, #ownvoices

The Jumbies is an atmospheric tale of secrets and dangers that draws you in and gives you the heebie jeebies. Corinne, our gutsy heroine, will do anything to protect her father from the beautiful but deadly Severine. With the help of her friends, the local witch, and her own latent powers, she sets out to save the island from being taken over by a powerful force. When you are done you will look to the trees and wonder what strange creatures lurk within and whether they might appear to make mischief.

Book 2 tops Book 1 and takes you on an incredible journey across the ocean, with more magic and new friends and foes as Corinne comes into herself and her power. It captures the agony of a painful, half-forgotten past and the fragile hope for a future and brings home the tensions of family and loss.

the-education-of-margot-sanchez

The Education of Margot Sanchez by Lilliam Rivera – YA, Contemporary, Puerto Rican MC, #ownvoices

The Education of Margot Sanchez follows the story of a Puerto Rican girl who’s trying to fit in at her prestigious prep school at all costs. Her desperation drives her to questionable actions, and eventually her misdeeds catch up to her. While she’s serving out her punishment at her family’s grocery store, she meets a handsome young man who’s campaigning against the gentrification of their neighborhood, and through various events, comes to appreciate her community and confront her own mistakes.

This novel covers a lot of ground, including dynamic friendships, peer pressure, budding romance, class struggles, challenging machismo, family drama, and personal growth. Margot is an incredibly flawed person but also a sympathetic protagonist, and watching her character learn and grow was intensely satisfying. In other words, the book really lives up to its name.

american-street

American Street by Ibi Zoboi – YA, Contemporary, Magical Realism, Black/Haitian American Immigrant MC, #ownvoices

I had few expectations going into this book and when I came out the other end, I was shaken to the core. This is not an light read. From the beginning it’s wracked with tension and conflict. Fabiola has just moved to Detroit from Port-au-Prince, Haiti, and she’s thrust into this new environment without her mother, who has been detained. The American paradise she envisioned turns out to be much grittier than she realized. In Detroit, she relies on her strong-willed and influential aunt and cousins to support her and finds an unexpected romance.

Unfortunately, these relationships are overshadowed by various kinds of violence: intimate partner violence between one of her cousins and her boyfriend, violence from systemic racism and classism, and the violence of livelihoods built upon huge risks and illegal activities. In her quest to free her mother from detainment, Fabiola gets drawn into a complicated and fragile web of secrets and lies that threatens to destroy the foundations of her new life.

What was especially poignant and powerful to me in this book was the juxtaposition of Fabiola’s and her cousins’ respective backgrounds and the way they projected their own hopes and dreams onto one another. Although Fabiola is the primary viewpoint character, there are a few interludes and departures from the main narrative that provide insight into the supporting characters, their histories, their motivations, and so on that add another layer of depth to the story. The magical realism elements were critical to establishing setting and foreshadowing and illuminating the themes of the story.

Trigger Warnings for American Street: abuse, violence, death

the-epic-fail-of-arturo-zamora

The Epic Fail of Arturo Zamora by Pablo Cartaya – MG, Contemporary, Cuban MC, #ownvoices

Like Margot Sanchez, The Epic Fail of Arturo Zamora tackles the theme of gentrification but with a lighter tone. Arturo is an adorkable thirteen-year-old whose extended family lives together in an apartment building and runs a restaurant established by his grandparents. He has a few ambitions: tell his crush he likes her, save the family restaurant and local community from a seedy land developer, and make his grandmother proud of him. Along the way, he discovers the beauty of poetry and the legacy of Cuban revolutionary José Martí and connects with his late grandfather, who left behind letters and verses for him.

This heartfelt story shows us that not all heroes wear capes, and even the thirteen-year-old boy who gets tongue-tied around his crush has a shot at saving the day. My favorite parts were the family dynamics, the delicious food descriptions, and the incorporation of poetry into the narrative as an inspiration for Arturo and a medium for his growth and self-expression.

lucky-broken-girl

Lucky Broken Girl by Ruth Behar – MG, Historical Fiction, Cuban Jewish American Immigrant MC, #ownvoices

Lucky Broken Girl is semi-autobiographical and tells the story of a young Cuban Jewish girl who has just immigrated to the U.S. and winds up confined to her bed for almost a year after a car crash that puts her in a full-body cast. While she is cut off from the world outside, she finds solace and companionship in her neighbors and classmates, who bring joy and beauty into her life with their kindness and generosity. Throughout this experience, she struggles with ableism from her parents, who are her caretakers, and her own inner voices, which are exacerbated by her isolation.

Perhaps most poignant and memorable is her period of rehabilitation after she is free of the cast. The anxiety and sense of inadequacy and frustration with slow progress were palpable to me, and intensely relatable as someone who experienced hospitalization for mental illness, albeit not for months.

If there was one thing I really felt was lacking in the story, it was more interaction with people who shared her experiences of disability. They were mentioned but weren’t given much page time, and I feel like including those kinds of interactions would have enriched the narrative. That, and I feel like there could have been space for acknowledging that not everyone is temporarily disabled the way Ruthie was; some have lifelong disabilities (hi, that’s me), and their worth isn’t defined by their disabilities or whether they can recover from/overcome them.

Most Anticipated Books for July-August

These are mostly MG/YA with a few non-kidlit titles mixed in!

July

Heroine Worship by Sarah Kuhn (July 4th) – NA, Fantasy, Contemporary

  • kickass Chinese American superheroine
  • demon-fighting
  • friendship
  • romance

Jasmine Toguchi, Mochi Queen by Debbi Michiko Florence (July 11th) – MG/Early reader, Contemporary

  • Japanese American MC
  • food and family traditions

Because You Love to Hate Me: 13 Tales of Villainy edited by Ameriie (July 11th) – YA, Fantasy, Anthology

  • collaboration between Booktubers and authors
  • really, really want to read Cindy Pon’s “Beautiful Venom,” a Medusa retelling in a Chinese-inspired world

Monstress Vol. 2 by Marjorie Liu and Sana Takeda – Fantasy, Steampunk/Alternate History, Graphic Novel

  • gorgeous art
  • alternate Asia

The Library of Fates by Aditi Khorana (July 18th) – YA, Fantasy

  • Based on Alexander the Great’s invasion of India
  • a princess turned refugee
  • female friendships
  • a magical library

Spirit Hunters by Ellen Oh (July 25th) – MG, Fantasy

  • biracial Korean American MC
  • a haunted house
  • sibling bonds

August

Solo by Kwame Alexander (August 1st) – YA, Contemporary

  • Black MC
  • Music and jazz
  • Father-son relationship
  • A trip to Ghana

Little & Lion by Brandy Colbert (August 8th) – YA, Contemporary

  • Black Jewish and bisexual MC
  • F/F couple
  • sibling relationship and mental illness rep (MC’s brother is bipolar)

The Authentics (August 8th) – YA, Contemporary

  • Iranian Muslim American MC
  • Cliques and rivalry
  • Sweet Sixteen party
  • Discovering family history

The Epic Crush of Genie Lo (August 8th) – YA, Fantasy

  • Super kickass Chinese American MC
  • Tall girl/short boy dynamic, I ship it
  • Contemporary take on The Monkey King
  • Juggling demon-fighting and academics (how)

The First Rule of Punk by Celia C. Perez (August 22nd) – MG, Contemporary

  • Mexican American MC
  • The new girl experience
  • A band of misfits
  • Zine inserts (I have the ARC and they’re Legit scans of zine pages created by the author)
  • “Always Be Yourself”

Starswept by Mary Fan – YA, Science Fiction

  • Chinese violist MC
  • telepathic aliens
  • music school
  • romance and political intrigue