Tag Archives: Fantasy

Most Anticipated MG/YA Releases of September and October

So September and October are a gift because there are so many great kidlit titles coming out from authors of color. Here’s a [far from exhaustive] list of ones I’ve had on my radar! I’ve had the privilege of reading many of these already (16 out of 24, which is 2/3), and I can tell you that they are amazing. 🙂

They Both Die at the End by Adam Silvera (Sep. 5th) – Young Adult, SFF, Gay Puerto Rican (#ownvoices) and Bisexual Cuban American MCs, M/M romance

  • 2 boys who are going to die meet and bond over the course of about 24 hours

You Bring the Distant Near by Mitali Perkins (Sep. 12th) – Young Adult, Historical Fiction, Indian/Bengali American MCs (#ownvoices), Biracial Black/Bengali MC

  • 5 women spanning 3 generations of a Bengali family in the U.S. negotiate their multicultural identities

Shadowhouse Fall (Shadowshaper #2) by Daniel Jose Older – Young Adult, Urban Fantasy, Afro-Latina Puerto Rican MC

  • Supernatural and real world forces of evil threaten the lives and community of Sierra Santiago, who will do anything to protect her own

Warcross by Marie Lu (Sep. 12th) – Young Adult, Science Fiction, Chinese American MC, #ownvoices

  • A gamer girl/bounty hunter hacks her way into the world’s biggest virtual reality game tournament and is hired to track down a suspicious figure lurking in the game

Rebel Seoul by Axie Oh (Sep. 15th) – Young Adult, Science Fiction/Dystopian, Korean MC, #ownvoices

  • A boy who has risen in the military of a future Korea is drafted into a special weapons project that turns girls into war machines and starts to fall for his charge

Rise of the Jumbies (The Jumbies #2) by Tracey Baptiste (Sep. 19th)- Middle Grade, Fantasy, Black Trinidadian MC, #ownvoices

  • Corinne La Mer makes a dangerous journey across the Atlantic to find a way to save the missing children of her island home

One Dark Throne (Three Dark Crowns #2) by Kendare Blake (Sept. 19th) – Young Adult, Fantasy

  • The deadly race for the throne has begun, the last sister standing wins.

The Stars Beneath Our Feet by David Barclay Moore (Sep. 19th) – Middle Grade, Contemporary, #ownvoices Black MC, secondary Black Autistic character

  • Following his brother’s gang-related Death, a boy struggles to cope and avoid the gang life and finds solace in building Lego creations at the community center.

The Way to Bea by Kat Yeh (Sep. 19th) – Middle Grade, Contemporary, #ownvoices Taiwanese American MC, secondary Autistic character

  • One summer away has upended Bea’s life and friendships, forcing her to make new ones and develop confidence in being herself.

Starfish by Akemi Dawn Bowman (Sep. 26th) – Young Adult, Contemporary, Biracial white/Japanese American MC, Social Anxiety rep, #ownvoices

  • An anxious aspiring artist flees her abusive home with an old friend-turned-crush and embarks on a journey that will transform her.

Ahimsa by Supriya Kelkar (Oct. 2nd) – Middle Grade, Historical Fiction, Indian MC, #ownvoices

  • A girl is swept up in the freedom movement of India through her mother’s participation and becomes involved herself in radical change.

Akata Warrior (Akata Witch #2) by Nnedi Okorafor (Oct. 3rd) – Middle Grade/Young Adult, Fantasy, Nigerian American MC, #ownvoices

  • A girl and her friends develop their powers as Leopard people to face down and vanquish a threat to humanity.

Wild Beauty by Anna-Marie McLemore (Oct. 3rd) – Young Adult, Magical Realism, Bisexual Latina/Mexican American MC, #ownvoices

  • The Nomeolvides sisters are blessed and cursed. Flowers flow from their hands, but their love makes those they love disappear. A mysterious boy who emerges from their garden estate may be the key to unlocking the secrets of the past and even breaking the curse.

Seize Today (Forget Tomorrow #3) by Pintip Dunn (Oct. 3rd) – Young Adult, Science Fiction/Dystopian

  • The conclusion to a series about a girl who foresees her own future in which she kills her sister and must work to stop herself.

Pashmina by Nidhi Chanani (Oct 3rd) – Young Adult, Contemporary/Fantasy, Graphic Novel, Indian American MC, #ownvoices

  • An Indian American girl connects with her heritage through a magical pashmina that transports her to India.

Not Your Villain (Sidekick Squad #2) by C.B. Lee (Oct. 5th) – Young Adult, SFF, Black trans boy MC

  • Bells becomes a fugitive due to a coverup by the Heroes’ League and has to take down a corrupt government while applying to college and working up the courage to confess his feelings to his best friend.

Forest of a Thousand Lanterns by Julie C. Dao (Oct. 10th) – Young Adult, Fantasy/Retelling, Chinese MC

  • Xifeng has a great destiny awaiting her, but her path to becoming Empress of Feng Lu requires her to embrace the darkness within her.

Dear Martin by Nic Stone (Oct. 17th) – Young Adult, Contemporary, Black MC, #ownvoices

  • A Black teen processes his feelings about antiblack racism through a journal dialogue with Martin Luther King Jr. and becomes the center of a media storm when he and his friend become victims of police brutality.

A Line in the Dark by Malinda Lo (Oct. 17th) – Young Adult, Contemporary, Thriller, Queer Chinese American MC, #ownvoices

  • Jess harbors a crush on her best friend Angie and through Angie, is drawn into a wealthy but seedy social circle with dangers they cannot escape unscathed.

I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez (Oct. 17th) – Young Adult, Contemporary, Mexican American MC, #ownvoices

  • After her sister’s death, a girl feels alone and pressured to take her sister’s place, only to discover that her sister may not have been as perfect as she seemed.

Like Water by Rebecca Podos (Oct. 17th) – Young Adult, Contemporary, Besexual Latina MC, Secondary qenderqueer character

  • A small-town girl falls for someone who brings to the surface secrets she’s been trying to suppress.

Long Way Down by Jason Reynolds (Oct. 24th) – Young Adult, Contemporary/Thriller, Novel-in-Verse, Black MC, #ownvoices

  • His brother is dead, and he’ll make the killer pay, but as he goes down the elevator, someone new appears who is connected to his brother, and he may not make it to the bottom.

Calling My Name by Liara Tamani (Oct. 24th) – Young Adult, Contemporary, Black Christian MC, #ownvoices

  • A girl navigates her budding sexuality in an ultra-religious environment that treats sex as forbidden and dirty.

Beasts Made of Night by Tochi Onyebuchi (Oct. 31st) – Young Adult, Nigerian-inspired Fantasy, Black MC, #ownvoices

  • Sin-eaters practice magic to rid people of their guilty feelings but pay the price in a being permanently marked and a short life-span. Taj is called to eat the sin of a royal and is forced to fight against an evil that threatens his entire home.

Series Suspense!: 5 Sequels I Need to Read

Not everyone is a fan of book series, but I personally love them because I’m always hungry for more worldbuilding and character development and glimpses into the lives of the secondary characters (if they aren’t taking center stage themselves). Earlier this year, I did a book list featuring my most anticipated sequels releasing in 2017, and now I’m making a list of sequels to books I’ve read that are already out but I haven’t read yet. Hopefully, this will also be an introduction to a book series that you didn’t know about already. 🙂

Dove Exiled

Dove Exiled (The Dove Chronicles #2) by Karen Bao – YA, Science Fiction

I read Dove Arising, the first book in the series, as part of a readathon back in January. I first found the book at a secondhand bookstore, where the author’s last Chinese name caught my attention. The book doesn’t have very high ratings on Goodreads or Amazon, so I went in wondering if and how much I would like it. I ended up enjoying it quite a bit for a number of reasons, including the diversity (Chinese American lead and POC supporting characters!), the integration of real science from the author’s degree/background into the story, and the intense high-stakes conflict. For those who are interested, you can read my full review here.

The Disappearance of Ember Crow

The Disappearance of Ember Crow (The Tribe #2) by Ambelin Kwamullina – YA, Dystopian/SFF

If you missed my Tweet, I just got this and the third book in the series in the mail. Book 1, The Interrogation of Ashala Wolf, was one of the books I read for the #DiversityDecemberBingo reading challenge and I believe it’s the first book by an Indigenous author that I’ve read, sadly (I’ve since expanded my collection though!). Ashala Wolf is a very interesting and distinctive take on dystopian fiction because of the way it frames the dysfunctional society and centers environmental consciousness and spirituality. The author’s Indigenous background (she comes from the Palyku people of the Pilbara region of Western Australia) definitely influenced the portrayal of oppression, giving it the nuance that comes from lived experience. The story is also a bit of a mindfuck because of the unreliable narration. If you’re not a big dystopian fan, I’d still suggest giving this series a try. 🙂 I reviewed the first book here.

The Edge of the Abyss

The Edge of the Abyss (The Abyss Surrounds Us #2) by Emily Skrutskie – YA, Science Fiction

I totally requested this on NetGalley, got approved back in like January, and yet here I am…oops. Book 1 totally caught my attention because of the pirates and giant sea monsters and Chinese American protagonist (oh my!). I was a bit wary because the author is white, and while I didn’t feel like the rep was done super well, it wasn’t horrible either, and overall I still enjoyed the book for the plot and character dynamics. I’m hoping book 2 gives me more of the substance I wanted when I finished book 1 because I had a lot of questions about the worldbuilding and the characters’ backgrounds. You can read my review for The Abyss Surrounds Us here.

Shadowcaster (Shattered Realms #2) by Cinda Williams Chima – YA, Fantasy

This is a doubly sequel-ish sequel because it’s the second book in a sequel series, lol. Though I haven’t talked it about it a ton because I’ve been focusing on books by nonwhite authors on my blog and Twitter, the Seven Realm series is one of my favorite fantasy series for a lot of reasons: heart-stopping action, forbidden romance, good worldbuilding (also the main setting is a matrilineal queendom!), complex character dynamics, and as a bonus, nonwhite people in a high fantasy setting who aren’t just props or foils to white characters! The Shattered Realms series picks up 25 years after the end of Seven Realms, so it’s a pretty big time jump, but familiar characters from the first series show up, and the next generation of heroes is coming of age. Although you can technically read Shattered Realms without reading Seven Realms, if you don’t want to be spoiled for the ending of the Seven Realm series, read them in order! Shattered Realm builds on the first series by taking you deeper into neighboring nations to the Fells and beyond, so the scope is broader, and I’m really excited to explore these new places and characters. (Side note: I am still a bit salty about the mid-series cover change and prefer the original look because it’s iconic/in keeping with the previous series. Also the new covers are by the same artist who did the Throne of Glass covers, and they look too similar, in my opinion. But anyway, moving on…)

Shadowplay (Micah Grey #2) by Laura Lam – YA, Fantasy

I recently featured this series on my bookstagram, as I own both the original editions of the 1st and 2nd book from a publisher that went defunct, and the new editions of the complete trilogy released by Pan Macmillan. I read the first edition of book 1, Pantomime, back in December 2016 and was going to wait until I read the new edition to write a review to account for any changes/edits that have been made since. The Micah Grey series features an intersex, genderfluid, and bisexual protagonist who runs away to join a circus as an aerialist (flying trapeze!). The setting is a place called Elladia (located in a secondary universe) that has some English vibes too it but isn’t quite England, and it has its own mythology that is a part of the broader storyline of the series. If you want escapist fantasy, this is a book to check out. (Note: the original cover for Shadowplay is a bit misleading as the main character isn’t Asian, and I’m not even sure there is a major character who’s Asian in the series… Nor is the author Asian, for that matter.)

I realized after completing this post that all of these are SFF, which is rather predictable of me. Though that bias might also have to do with contemporary YA not being as series-oriented in general. For those who aren’t big SFF fans, I promise do blog about non-SFF books, so stay tuned for future book lists and reviews.

Also, if you want to share, please tell me about some of your favorites series in the comments! ^o^

Mini Reviews: 5 Latinx and Caribbean Reads

 

The Jumbies and Rise of the Jumbies by Tracey Baptiste – MG, Fantasy, Afro-Caribbean/Trinidadian MC, #ownvoices

The Jumbies is an atmospheric tale of secrets and dangers that draws you in and gives you the heebie jeebies. Corinne, our gutsy heroine, will do anything to protect her father from the beautiful but deadly Severine. With the help of her friends, the local witch, and her own latent powers, she sets out to save the island from being taken over by a powerful force. When you are done you will look to the trees and wonder what strange creatures lurk within and whether they might appear to make mischief.

Book 2 tops Book 1 and takes you on an incredible journey across the ocean, with more magic and new friends and foes as Corinne comes into herself and her power. It captures the agony of a painful, half-forgotten past and the fragile hope for a future and brings home the tensions of family and loss.

the-education-of-margot-sanchez

The Education of Margot Sanchez by Lilliam Rivera – YA, Contemporary, Puerto Rican MC, #ownvoices

The Education of Margot Sanchez follows the story of a Puerto Rican girl who’s trying to fit in at her prestigious prep school at all costs. Her desperation drives her to questionable actions, and eventually her misdeeds catch up to her. While she’s serving out her punishment at her family’s grocery store, she meets a handsome young man who’s campaigning against the gentrification of their neighborhood, and through various events, comes to appreciate her community and confront her own mistakes.

This novel covers a lot of ground, including dynamic friendships, peer pressure, budding romance, class struggles, challenging machismo, family drama, and personal growth. Margot is an incredibly flawed person but also a sympathetic protagonist, and watching her character learn and grow was intensely satisfying. In other words, the book really lives up to its name.

american-street

American Street by Ibi Zoboi – YA, Contemporary, Magical Realism, Black/Haitian American Immigrant MC, #ownvoices

I had few expectations going into this book and when I came out the other end, I was shaken to the core. This is not an light read. From the beginning it’s wracked with tension and conflict. Fabiola has just moved to Detroit from Port-au-Prince, Haiti, and she’s thrust into this new environment without her mother, who has been detained. The American paradise she envisioned turns out to be much grittier than she realized. In Detroit, she relies on her strong-willed and influential aunt and cousins to support her and finds an unexpected romance.

Unfortunately, these relationships are overshadowed by various kinds of violence: intimate partner violence between one of her cousins and her boyfriend, violence from systemic racism and classism, and the violence of livelihoods built upon huge risks and illegal activities. In her quest to free her mother from detainment, Fabiola gets drawn into a complicated and fragile web of secrets and lies that threatens to destroy the foundations of her new life.

What was especially poignant and powerful to me in this book was the juxtaposition of Fabiola’s and her cousins’ respective backgrounds and the way they projected their own hopes and dreams onto one another. Although Fabiola is the primary viewpoint character, there are a few interludes and departures from the main narrative that provide insight into the supporting characters, their histories, their motivations, and so on that add another layer of depth to the story. The magical realism elements were critical to establishing setting and foreshadowing and illuminating the themes of the story.

Trigger Warnings for American Street: abuse, violence, death

the-epic-fail-of-arturo-zamora

The Epic Fail of Arturo Zamora by Pablo Cartaya – MG, Contemporary, Cuban MC, #ownvoices

Like Margot Sanchez, The Epic Fail of Arturo Zamora tackles the theme of gentrification but with a lighter tone. Arturo is an adorkable thirteen-year-old whose extended family lives together in an apartment building and runs a restaurant established by his grandparents. He has a few ambitions: tell his crush he likes her, save the family restaurant and local community from a seedy land developer, and make his grandmother proud of him. Along the way, he discovers the beauty of poetry and the legacy of Cuban revolutionary José Martí and connects with his late grandfather, who left behind letters and verses for him.

This heartfelt story shows us that not all heroes wear capes, and even the thirteen-year-old boy who gets tongue-tied around his crush has a shot at saving the day. My favorite parts were the family dynamics, the delicious food descriptions, and the incorporation of poetry into the narrative as an inspiration for Arturo and a medium for his growth and self-expression.

lucky-broken-girl

Lucky Broken Girl by Ruth Behar – MG, Historical Fiction, Cuban Jewish American Immigrant MC, #ownvoices

Lucky Broken Girl is semi-autobiographical and tells the story of a young Cuban Jewish girl who has just immigrated to the U.S. and winds up confined to her bed for almost a year after a car crash that puts her in a full-body cast. While she is cut off from the world outside, she finds solace and companionship in her neighbors and classmates, who bring joy and beauty into her life with their kindness and generosity. Throughout this experience, she struggles with ableism from her parents, who are her caretakers, and her own inner voices, which are exacerbated by her isolation.

Perhaps most poignant and memorable is her period of rehabilitation after she is free of the cast. The anxiety and sense of inadequacy and frustration with slow progress were palpable to me, and intensely relatable as someone who experienced hospitalization for mental illness, albeit not for months.

If there was one thing I really felt was lacking in the story, it was more interaction with people who shared her experiences of disability. They were mentioned but weren’t given much page time, and I feel like including those kinds of interactions would have enriched the narrative. That, and I feel like there could have been space for acknowledging that not everyone is temporarily disabled the way Ruthie was; some have lifelong disabilities (hi, that’s me), and their worth isn’t defined by their disabilities or whether they can recover from/overcome them.

Most Anticipated Books for July-August

These are mostly MG/YA with a few non-kidlit titles mixed in!

July

Heroine Worship by Sarah Kuhn (July 4th) – NA, Fantasy, Contemporary

  • kickass Chinese American superheroine
  • demon-fighting
  • friendship
  • romance

Jasmine Toguchi, Mochi Queen by Debbi Michiko Florence (July 11th) – MG/Early reader, Contemporary

  • Japanese American MC
  • food and family traditions

Because You Love to Hate Me: 13 Tales of Villainy edited by Ameriie (July 11th) – YA, Fantasy, Anthology

  • collaboration between Booktubers and authors
  • really, really want to read Cindy Pon’s “Beautiful Venom,” a Medusa retelling in a Chinese-inspired world

Monstress Vol. 2 by Marjorie Liu and Sana Takeda – Fantasy, Steampunk/Alternate History, Graphic Novel

  • gorgeous art
  • alternate Asia

The Library of Fates by Aditi Khorana (July 18th) – YA, Fantasy

  • Based on Alexander the Great’s invasion of India
  • a princess turned refugee
  • female friendships
  • a magical library

Spirit Hunters by Ellen Oh (July 25th) – MG, Fantasy

  • biracial Korean American MC
  • a haunted house
  • sibling bonds

August

Solo by Kwame Alexander (August 1st) – YA, Contemporary

  • Black MC
  • Music and jazz
  • Father-son relationship
  • A trip to Ghana

Little & Lion by Brandy Colbert (August 8th) – YA, Contemporary

  • Black Jewish and bisexual MC
  • F/F couple
  • sibling relationship and mental illness rep (MC’s brother is bipolar)

The Authentics (August 8th) – YA, Contemporary

  • Iranian Muslim American MC
  • Cliques and rivalry
  • Sweet Sixteen party
  • Discovering family history

The Epic Crush of Genie Lo (August 8th) – YA, Fantasy

  • Super kickass Chinese American MC
  • Tall girl/short boy dynamic, I ship it
  • Contemporary take on The Monkey King
  • Juggling demon-fighting and academics (how)

The First Rule of Punk by Celia C. Perez (August 22nd) – MG, Contemporary

  • Mexican American MC
  • The new girl experience
  • A band of misfits
  • Zine inserts (I have the ARC and they’re Legit scans of zine pages created by the author)
  • “Always Be Yourself”

Starswept by Mary Fan – YA, Science Fiction

  • Chinese violist MC
  • telepathic aliens
  • music school
  • romance and political intrigue

 

Mini Reviews: 5 Muslim Reads

Life update and mini review series introduction: I have a full-time job right now, so writing 600+ word reviews for every book I read has become unsustainable. However, since I still want to share my thoughts on all the books I read, I’m compromising by doing mini reviews for most books and full reviews for a smaller fraction. This first set of mini reviews will focus on five books with Muslim characters that I’ve read recently. 🙂

the-gauntlet

The Gauntlet by Karuna Riazi – Middle Grade, Fantasy, Adventure, Bangladeshi American MC, #ownvoices

In The Gauntlet, Farah Mirza is forced to play a larger-than-life board game in order to save her younger brother from being taken by the game’s Architect. It is such a fun book that really engages the senses, especially sight, smell, and taste. Loaded with loving and vivid references to Bengali, desi, and Middle Eastern cultures, it’s an adventure that you can’t miss. As someone who loves games and puzzles, it was a treat to read about Farah’s three game trials, especially the one involving Mancala, which I played with my sisters when we were young. There were colorful characters and interesting twists and a setting that literally shifts and changes to keep me engaged and delighted throughout.

The Lines We Cross

The Lines We Cross by Randa Abdel-Fattah (originally published as When Michael Met Mina in Australia) – Young Adult, Contemporary, Afghan-Australian MC

The Lines We Cross is a powerful story about racism, xenophobia, and Islamophobia. The main character, Mina, moves from a racially diverse, working-class part of the city to a wealthier, white-dominated area. There, she meets and goes to school with Michael, who is white and the son of a local conservative political organizer who is the head of an organization pushing a xenophobic and Islamophobic agenda. Despite their differences, the two are drawn to each other and find common ground, and Michael is forced to confront his own privilege and question his internalized biases. The reason this learning and redemption arc works is because Mina’s perspective is there to complement Michael’s, it’s not just centering Michael. Moreover, Mina actively calls out Michael’s ignorance and biases and refuses to perform the labor of educating him, so her purpose in the story is not to serve his character development.

Saints and Misfits

Saints and Misfits by S.K. Ali – Young Adult, Contemporary, Egyptian/Arab-Indian American MC, #ownvoices

Trigger Warnings: Sexual assault

Saints and Misfits is a gem of a story about a Muslim hijabi teen, Janna, who’s trying to navigate the confusing feelings of adolescence and deal with her traumatic experience of sexual assault by a supposedly upstanding member of her community. Her voice is refreshingly honest, snarky, and down-to-earth. I loved the different relationships explored in the story, from her family drama, to her friendships with people at school and at the Islamic Center, to her crush on Jeremy, to her mentor-mentee relationship with her imam. The supporting characters really rounded out the story, giving it depth and breadth. The topic of sexual assault was explored with sensitivity and grace, and I found it to be an empowering story for survivors and an honest commentary on how a community may fail its members.

Love, Hate & Other Filters.jpg

Love, Hate, and Other Filters by Samira Ahmed – Young Adult, Contemporary, Indian American MC, #ownvoices

Trigger Warnings: Islamophobia, physical assault

Love, Hate, and Other Filters is a powerful novel about intergenerational conflict and Islamophobia, how it feels to be caught in between others’ expectations and your own aspirations. Maya’s parents have a plan for her, and it doesn’t involve going to NYU to study film or dating someone who’s not her parents choice of pious Muslim boy, especially not a white boy like Phil. Because of these suffocating expectations, Maya lives a double life, applying to NYU and meeting Phil in secret, and it will break your heart to see her struggle. Parallel to the day-to-day events of Maya’s life, a terrorist plots to wreak havoc. When the attack occurs, the prime suspect shares Maya’s last name, so she gets targeted with vitriol and violence. This book is such an emotional rollercoaster, and the author doesn’t pull any punches. Maya’s fear and hope are tangible, and you feel the weight of her choices. I loved the juxtaposition of Maya’s first-person narrative with third-person snippets of people whose lives are affected by the terrorist attack. It heightened the tension of the story and connected the dots between seemingly unrelated people.

That Thing We Call a Heart

That Thing We Call a Heart by Sheba Karim – Young Adult, Contemporary, Pakistani American MC, #ownvoices

That Thing We Call a Heart happens over the course of a summer, the summer before Shabnam goes off to college. She’s been estranged from her best friend Farah, so she finds companionship in a cute boy named Jamie, who lands her a job at his aunt’s pie shack. It’s hinted at in the synopsis, but Jamie is not that great of a guy, and he sort of fetishizes Shabnam, and through this experience Shabnam comes to learn what a bad relationship looks like and how infatuation can cloud your judgment. My favorite part of the story was her interactions with her parents, her best friend Farah, and her great-uncle who survived Partition. Her dad teaches her about Urdu poetry, which gives her a connection to her heritage and artistic inspiration. Her best friend Farah was by far my favorite character, defying stereotypes of hijabi girls by dyeing her hair and listening to punk music and not taking shit from anyone. Shabnam’s alienation from Farah is very much her own fault, and in the story, she has to work through the issues and make amends. The dynamic nature of their friendship felt realistic, and it resonated with me a lot as someone who’s gone through similar stages with my own best friend. Lastly, her relationship with her great-uncle felt really relatable to me as someone who doesn’t have very close relationships with people of my grandparents’ generation, who lived through two periods of colonization. Her uncle lived through a very horrifying and bloody chapter of history, and it’s hard to communicate and connect when you feel like there is so much you don’t know about someone and their history. Shabnam’s curiosity and weighty feelings and desire to learn more about that history mirrored my own with respect to 20th Century Taiwanese history.

Mid-Year Book Freak Out Tag

Uh, I have no idea who created this tag and it’s been around for a while and nobody tagged me, as far as I know, but oh well, I AM DOING IT!

1. BEST BOOKS YOU’VE READ SO FAR IN 2017?

As y’all may already know, I’m a huge SFF fan, and this year Asian SFF YA has been absolutely spectacular! I’ve reviewed Want, A Crown of Wishes, The Epic Crush of Genie Lo already, but I still need to write and post reviews for Forest of a Thousand Lanterns and Warcross. I’ll be honest and say Want and Warcross are my favorite books by Cindy Pon and Marie Lu, respectively. They are so immersive and intense and exhilarating. All of these were five-star reads for me, and I’m so excited for other people to read and hopefully fall in love with them! 🙂

2. BEST SEQUEL OF 2017 SO FAR

It’s a tie! Rise of the Jumbies is the sequel to The Jumbies by Tracey Baptiste, and Shadowhouse Fall is the sequel to Shadowshaper. I have yet to review any of these, but I really need to. I read these two sequels for Caribbean American Heritage Month, which was this past month. Rise of the Jumbies is set in Trinidad and also Ghana (with an epic cross-Atlantic journey in between), and Sierra, the heroine of Shadowhouse Fall, is Puerto Rican. Both series incorporate Caribbean lore, and they are filled with suspense, family bonds, friendship, and journeys of self-discovery. I adore these covers so much.

3. NEW RELEASE YOU HAVEN’T READ YET, BUT YOU WANT TO

I’m not sure what counts as new, but among the books released in the past two months, there are quite a few I’m eager to read:

One Shadow on the Wall tells the story of a boy in Senegal who has lost his father and must support himself and his family. Crossing Ebenezer Creek is based on a historical event during the Civil War era of U.S. history and features a recently-freed Black girl trying to forge a new life and future for herself. I Believe in a Thing Called Love is a contemporary romantic comedy in which a studious Korean American girl attempts to use Korean drama tropes to win the heart of her crush.

4. MOST ANTICIPATED RELEASE OF THE SECOND HALF OF 2017?

HAHA as if I could pick just one or even three. I need to section these off:

YA Sequels

  • The Speaker by Traci Chee (The Sea of Ink and Gold #2, September 12th)
  • Not Your Villain by C.B. Lee (Sidekick Squad #2, October 5th)
  • Chainbreaker by Tara Sim (Timekeeper Trilogy #2, November 7th)

If you haven’t read my rave reviews for the prequels to these books, you can go find out why I love them so much. The short version: The Reader (my review) is one of the most creative fantasy novels I’ve read in a long time, interweaving four different storylines and featuring a fascinating magic system in which the act of reading is a literal kind of magic. Not Your Sidekick (my review) is a fresh take on superheroes in a futuristic American West combined with a cute f/f romance. Timekeeper (my review) is set in an alternate England where clocks literally control the flow of time; in this world, our hero investigates a series of clock malfunctions with a sinister source while falling in love with an adorable and mysterious clock spirit.

YA SFF

I wasn’t joking when I said I love SFF! Beasts Made of Night is a Nigerian-inspired fantasy story that centers on a young man who is a magic user responsible for vanquishing the sin-beasts that form from people’s guilt as he navigates a deadly political conspiracy. Rebel Seoul takes place in near future Korea and stars a boy turned soldier who is recruited for a special project involving giant killing machines and forced to decide where his loyalty lies. The Library of Fates is based on the historical invasion of India by Alexander the Great and features a princess and servant on the run, in search of the Library of All Things, which may have the key to changing one’s fate.

YA Contemporary

Starfish is about a biracial Japanese American girl who deals with social anxiety while away from home and finds the courage to pursue the career of her dreams as an artist. You Bring the Distant Near tells the stories of three generations women in an Indian/Bengali immigrant family as they grow into their American identity. A Line in the Dark features a queer Chinese American girl who gets sucked into an elite social circle that is filled with secrets and danger.

MG Fantasy

More fantasy! Spirit Hunters stars a biracial Korean American girl who discovers her new house is haunted and has to save her brother from malevolent spirits. Akata Warrior is the sequel to Akata Witch (my review), a fantasy story starring four Nigerian American/Nigerian teens exploring their magic and working together to face down powerful foes. Whichwood is a companion to Furthermore and is a Persian-inspired story about a girl who washes the bodies of the dead and whose hair and hands are turning silver.

5. BIGGEST DISAPPOINTMENT

Okay so as far as 2017 book covers go, a few have disappointed me:

All of these were in my most anticipated cover reveals post but fell short of my expectations based on their synopses. Specifically, I was hoping that they would feature POC prominently, and they all failed to do that.

Forest of a Thousand Lanterns was probably the biggest letdown out of all of them. The symbolism of the apple blossom isn’t apparent because most people have no idea what an apple blossom looks like and wouldn’t be able to identify it on sight, the font is really tacky, the repeating yin-yang symbols is also kitschy and the only real indicator that the book is based on East Asian cultures, and in general I just wish it had more detail and texture to it. My mental aesthetic for Xifeng and FOTL was Fan Bingbing starring in the Chinese historical drama, The Empress of China, and I was totally hoping for something similar to the images below.

What disappointed me about the Warcross cover was the color scheme: it wasn’t dark enough for the feel of the story, in my opinion. And, to state the painfully obvious, it’s literally just the title in a slightly upgraded version of 2007 MS Word Art. Verdict: should have hired Jason Chan, who did the cover art for Want and Heroine Complex and Heroine Worship.

As for Beasts Made of Night…I was hoping for a Black boy to be on the cover looking fierce and magical, but instead we got animal silhouettes. It’s not terrible, but I wanted something with more texture that really takes up space.

The conclusion: PenguinTeen needs to invest in better cover art. They are horribly underselling their best SFF titles by POC with mediocre covers.

A Line in the Dark gives you the dark and creepy vibes from the synopsis but is once again very vague, and I’m willing to bet the hand model they used for that photo wasn’t even Asian. Like why is it so hard to just put a queer Chinese American girl on the cover?

Okay, I’ll stop ranting about cover art now and talk about actual stories that disappointed me. There were only two, actually.

One was the middle grade book Stir It Up!, which I reviewed earlier this year. As I mentioned in my review, it didn’t have the level of detail and substance I was hoping for in a book centered on Indo-Caribbean cuisine that had so much potential. The other book was The Takedown by Corrie Wang. The premise sounded very interesting, and I was cautiously optimistic despite the fact that it was written by a white author (the main character is biracial Chinese American), but when I actually got to scoping it out at the bookstore, I found the main character really annoying, plus it was lowkey racist and sexist, among other things. Good thing I didn’t buy it.

6. BIGGEST SURPRISE

girl-on-the-verge

Girl on the Verge by Pintip Dunn

I was looking forward to reading this book because it features a Thai American protagonist, the 2nd one in contemporary YA that I know of and the first in years. There was some hype going for me. Then I actually read it, and I was completely blown away. My Goodreads review says it all:

“I didn’t intend for my review to be a haiku but the universe had the syllable count planted in my subconscious somehow so here you go:
holy fucking shit
what the hell did I just read
I need to lie down”

Also, my Twitter mini-thread:

7. FAVORITE NEW AUTHOR (DEBUT OR AUTHOR TO YOU)

F.C. Yee and Julie C. Dao tie! I was lucky enough to get ARCs of their books and loved their debuts so much and am dying for the sequels to FOTL and Genie Lo. *cries*

8. NEWEST FICTIONAL CRUSH

WANT_postcard01a

Well, I don’t really crush on YA characters much because of the age gap, but if he were my age, Jason Zhou from Want?

9. NEWEST FAVORITE CHARACTER

Genie Lo! The tall angry kickass Asian girl that I’ve always wanted in YA.

10. BOOK THAT MADE YOU CRY

its-not-like-its-a-secret

It’s Not Like It’s a Secret by Misa Sugiura

Okay, it’s fairly rare for a book to actually, literally make me cry, but this book actually did that. It was over a very emotional mother-daughter moment that really struck a chord with me, and I guess the biggest factors that contributed to that was a) the protagonist is [East] Asian American like me, and b) I lost my own mom last year so I’m still really sensitive to stuff relating to moms. If you want to read my thoughts about the Latinx rep (the love interest is Mexican American), I wrote a brief review about it on GR, but as I’m not Latinx, I don’t feel comfortable actually recommending this book to people since it was called out a few months back by a sensitivity reader for bad rep, and I don’t know to what extent that stuff was fixed/edited for the final version.

11. A BOOK THAT MADE YOU HAPPY

cilla-lee-jenkins-future-author-extraordinaire

Cilla Lee-Jenkins: Future Author Extraordinaire by Susan Tan

Okay, this was one of my favorite middle grade books of the year because it was really cute and fun but also creative about turning certain racist microaggressions against biracial Asian people on their head. You can read my full review here.

12. FAVORITE BOOK TO MOVIE ADAPTATION YOU’VE SEEN THIS YEAR

…I don’t think I’ve seen any? Oops.

13. FAVORITE REVIEW YOU’VE WRITTEN THIS YEAR?

Probably my review for Want since it’s such a personally satisfying read because of the Taiwanese rep.

14. MOST BEAUTIFUL BOOK YOU’VE BOUGHT OR RECEIVED THIS YEAR?

crystal-ribbon

The Crystal Ribbon by Celeste Lim

It has such gorgeous cover art! It extends onto the back as well, and there’s a Chinese character on the cover under the jacket; it’s the word for the main character’s name, Jing. You can see it in my bookstagram post:

I also really loved the story, which I reviewed here.

15. WHAT BOOKS DO YOU NEED TO READ BY THE END OF THE YEAR?

There are only a million and one, but here are some diverse releases from the first half of this year that I haven’t gotten around to reading yet:

Midnight Without a Moon is based on true historical events relating to the murder of Emmett Till in the mid-20th Century, told through the perspective of a young black girl. Stef Soto, Taco Queen tells the story of a girl who wants to escape the shadow of her family-run taco truck until that very livelihood is threatened, and she become it’s greatest champion. The Harlem Charade follows three kids of color in Harlem as they investigate one of them’s missing grandfather and stumble upon an insidious plot to gentrify their neighborhood. Piecing Me Together tackles the intersections of race, gender, and class for a Black teen girl who attends a mostly-white private school, where she’s identified as “at-risk.” Wintersong is an atmospheric retelling of the story of Labyrinth, in which a girl who loves to compose music becomes the bride of the Goblin King, her creative muse, in order to save her sister. Empress of a Thousand Skies is an epic space opera in which a princess and a former refugee have to join together to help reclaim the throne and save the galaxy. History Is All You Left Me tells the story of a teen struggling with the death of his ex and his own debilitating OCD, and his ex’s boyfriend is the only one who understands his pain. The Foretelling of Georgie Spider is the third and final book in The Tribe series by Indigenous author Ambelin Kwamullina; the series takes place in a dystopian future where people who manifest powers are Illegal and must survive in secret on the fringes of society or be detained by the state. I read the first book last year (my review) and loved it, so books 2 and 3 are waiting for me.


HEY, you made it to the end, yay you! I tag everyone who wants to do this tag. ^o^

Author Interview: Tara Sim

Today’s special guest for my Asian author interview series is Tara Sim! Her debut YA novel, Timekeeper, released last November and was one of my favorite books of 2016. In the interview we’ll be discussing the sequel, Chainbreaker, which comes out November 7th.

No cover yet, so here’s the cool placeholder with the font from book 1.

chainbreaker-placeholder

From Goodreads:

Clock mechanic Danny Hart knows he’s being watched. But by who, or what, remains a mystery. To make matters worse, clock towers have begun falling in India, though time hasn’t Stopped yet. He’d hoped after reuniting with his father and exploring his relationship with Colton, he’d have some to settle into his new life. Instead, he’s asked to investigate the attacks.

After inspecting some of the fallen Indian towers, he realizes the British occupation may be sparking more than just attacks. And as Danny and Colton unravel more secrets about their past, they find themselves on a dark and dangerous path―one from which they may never return.

Well how’s that for ominous…

(My comments/questions are in bold and labeled “SW.”)

SW: Tell us a little more about Chainbreaker beyond what’s in the Goodreads synopsis.

Tara: There’s a lot more action (and airships) in this one, plus more POVs other than Danny’s. I was excited to dig deeper into Colton’s story arc the most. You’re going to see a lot of India, and a new villain will be introduced that I can’t wait for readers to meet!

SW:  Airships! That’s definitely an upgrade. Also Colton is my son, so I will never say no to more development for his character. Excited to find out who the new villain is too.

How would you say the experience of writing book 2 differs from writing book 1? This can be in general or specific to your series.

Tara: If you ask any author about writing a book 2, chances are they’re going to cringe or groan or some combination therein. Honestly, they’re challenging—especially in a trilogy, when they have to have a story arc on their own as well as moving the series arc forward. A lot of the time a book 2 will feel more like a stepping stone, something that you have to get through in order to reach the finish line.

However, I enjoy the challenge of sequels. Writing CHAINBREAKER was a lot of fun because not only was I getting to understand these characters better, but I was exploring their world outside of England. For that matter, getting to write about India for the first time—while daunting—was also a very cool experience.

SW: I thought it was cool that you chose to set Chainbreaker in India since it’s an opportunity to explore colonialism through fantasy. Since your setting is actually an alternate timeline, I’m curious as to how the history of your fictionalized India is different from real life. Can you elaborate a bit on the background context for the events of Chainbreaker?

Tara: In regards to India’s hist itory of colonialism and oppression, I kept most things the same, since I didn’t want to erase this huge part my family’s history. I didn’t want to make light of it, or to somehow sweep it under the rug, so it’s at the very heart of the story in book 2. I think, especially during these current times, we all need a reminder of what’s been done in the past and how people have suffered as a result. I will say that there is one way I bend history a little, but *River Song voice* spoilers.

SW: Guess we’ll have to wait and see. 😱

Although Daphne wasn’t as central of a character, I loved reading about her perspective as someone who defies expectations and norms in terms of both race and gender. Will she play a larger role in books 2 and 3? How did it feel to write about a character with a similar background as a biracial Indian?

Tara: Absolutely! Daphne has more POV chapters in book 2, and what with them being in India, a lot of her arc involves identity. It was interesting to write a character with a somewhat similar background to me, since I’ve never done that before, but it was a cool way to transcribe some of what I grew up with into a character who’s different enough from me that it didn’t feel autobiographical. Daphne deals with her identity in her own way, and I loved writing it.

SW: Even when we aren’t writing about characters whose identities match ours, our background and identities inform our writing. How would you say yours have influenced Timekeeper and your other projects?

Tara: I think my background and identity inform a lot of what I write, but like I said above, not in a way that’s autobiographical. As a biracial girl, I’ve always been more inclined towards characters who are half—whether that means biracial or half fire demon or half elf, you name it. Also, as a bisexual girl, I’ve been more inclined towards LGBTQ+ stories. I think this intersection between race and sexuality guides a lot of my characterization and storytelling.

SW: Because in general people tend to envision 1800s England as populated by straight white people, it was a breath of fresh air to read about a cast that was as diverse as the one in Timekeeper and also great to see the ways in which you tweaked the social norms of your world. What are your thoughts on playing with these implicit normative rules in historical fiction, and do you have any advice on worldbuilding for alternate histories?

Tara: I think bending the rules in historical fiction is like walking on eggshells. On the one hand, you want to acknowledge what actually happened, and not erase the true and heartbreaking struggles that marginalized people faced. On the other hand, with TIMEKEEPER, I wanted to create a world where people felt safer to be themselves. We live in a scary world, and personally, I was tired of reading about secrets and fear and being discriminated against.

So, while there is still some discrimination in the books, I bent the rules a bit to allow for less of it. My two biggest focuses were homosexuality and gender equality, which are explained as being societal results of the early boom in technology.

I think, when you’re crafting an alternate timeline, you have to be mindful of those eggshells and not crack too many of them. There should be a logical reason for your changes, rather than just “I wanted it to be this way, so here it is.” Think deeply about your alternate timeline and the causes and effects. And don’t forget to acknowledge those who have struggled.

SW: It’s a tough balance for sure.

Last question! What would say was the most challenging and the most satisfying parts of writing Chainbreaker? What do you think you have learned about the writing process?

Tara: The most challenging part was writing about India. Although I’m half Indian, did a bunch of research, and went to India for a few weeks, it was still a challenge to capture everything I wanted to convey. More so because this takes place in the past, when the British Raj was at its peak. As for the most satisfying parts, I think delving deeper into everyone’s character was super satisfying.

I think this was the book that taught me the importance of double checking facts and research. Although I’ve done a lot of research for books in the past, this was the one that needed the most, and it was a long process that I hope will pay off.

SW: I can’t wait to see the fruits of your labor! Thanks for answering these questions!


Author Photo_Tara SimTara Sim is the author of Timekeeper (Sky Pony Press) and can typically be found wandering the wilds of the Bay Area, California. When she’s not chasing cats or lurking in bookstores, she writes books about magic, clocks, and explosives. Follow her on Twitter at @EachStarAWorld, and check out her website for fun extras at tarasim.com.

Author Interview: Sarah Kuhn

Today’s special guest for my Asian author interview series is Sarah Kuhn! Last year, her debut novel, Heroine Complex, released and was one of my top reads of 2016. Come July 4th, the sequel, Heroine Worship, will be out. I’ve invited her to talk a little about the series and Heroine Worship.

Heroine Worship

Honestly, this cover is everything. It’s so dynamic and kickass. Thanks to Jason Chan for saving Asian SFF with his amazing cover illustrations. (In addition to the covers for this series, he also illustrated Cindy Pon’s Want.)

To keep things mostly spoiler-free for book 1, I’ll just link to the synopsis on Goodreads.

As always, my comments/questions are in bold and labeled “SW.” Here we go!

SW: Well, I am super excited that Heroine Worship is about to be released. Can you offer us any teasers beyond the synopsis?

Sarah: Thank you—I’m excited too! Heroine Worship is really about Annie Chang/Aveda Jupiter figuring out who she is now that everything she’s ever known has changed. We see a lot of her internal landscape, learn a lot about what she’s been feeling. There are so many superhero feelings in this book, y’all. There are also tons of supernatural wedding shenanigans, gorgeous vintage outfits, and at least one scene with sexy cake-eating. And it gives folks something that was only teased in Heroine Complex: Evie and Aveda fighting side by side as legit co-heroines.

SW: Annie’s character is interesting to me because she’s such a drama queen but also tough at the same time. Did she spring from your head, fully-formed, like Athena, or did it take some work to bring her to life? What has your character design process been like for this series?

Sarah: She’s actually the character that’s changed the most since I came up with the idea for Book 1! Evie and Aveda weren’t originally childhood friends and she was much more of a cartoonish diva boss character I plugged in to service this bigger idea of the superhero’s personal assistant story. Once I made them longtime friends, I had to think about her in a lot more depth, think about what drives her and what makes her and Evie’s bond so deep and complicated. I kept coming back to this intense drive she has to be The Absolute Best at whatever she’s doing and how that sometimes blocks out everything else—that’s certainly something I can relate to. She’s one of my favorite characters to write because she’s so bold and loud and has a tendency to charge into situations without thinking about the consequences. I love how she 100 percent refuses to be ignored.

As far as developing characters in general for this series, one of the things I enjoy the most is putting them all in a scene together and seeing how they interact, how they bounce off of each other. For instance, Nate (Evie’s scientist boyfriend) mentoring Bea (Evie’s science-intrigued little sister) came out of that.

SW: Complex characters are more compelling! In the Heroine Complex series, we have three Asian American girl protagonists, Evie, Annie, and Bea. Which of the three are you most like, if any? What traits do you share in common with each of them?

Sarah: I think of myself as being the most like whichever character I’m writing at the time because I’m so intensely in their headspace. I connect a lot with Evie’s snarkiness and using humor as a defense mechanism and her initial insistence on seeing herself only as a sidekick—that’s how I saw myself for a long time. And I relate to Aveda’s need to be the best and fear of failure and vulnerability—as well as her extreme love of fashion. I suppose like Aveda, I now also refuse to see myself as anything less than the protagonist. Bea, I’m still getting to know—stay tuned.

SW: I can’t wait to get into Aveda/Annie’s head because I’ve been wondering what goes on there since Book 1. And I also can’t wait to see more of Bea’s perspective since she’s younger than both Aveda and Evie and therefore will have a different perspective.

If you could cast any actors for the major characters in Heroine Worship, who would you choose, and why?

Sarah: That’s impossible to answer because there are so many awesome Asian American actresses doing great work right now! My mind overloads with the possibilities. I always love seeing people post their fancasts, though!

SW: I feel like I need to go looking for good fancasts now. *makes notes to search later*

I know for your journalism, you talk a lot about Asian Americans in media. What kinds of stories are at the top of your wish list?

Sarah: I’ve said this a ton, but I always love and want to see more stories about Asian Girls Having Fun. Those stories could take so many different forms—Asian Girls Falling in Love, Asian Girls Kicking Demon Butt, Asian Girls Going Shopping and Seeing Star Wars and Gossiping Afterwards While Looking at Pictures of Cute Dogs. Just as much Asian Girls Getting to Do Cool-Ass Shit as possible.

SW: I’m on board with that. It’s great to see that more of these stories are starting to appear in YA and beyond.

Looking at what’s already out there, what are your favorite Asian American creative works (e.g. movies, tv shows, books, comics, etc.)?

Sarah: We’ll be here all day unless I restrict myself somehow—there are so many awesome Asian American creative people doing awesome shit in all mediums right now! So I’ll keep it to recommending a few books either in my genre or adjacent to it:

Last Call at the Nightshade Lounge by Paul Krueger is a fantastic, funny, wonderfully earnest urban fantasy about bartenders who fight monsters with alcohol magic. Not Your Sidekick by C.B. Lee is a clever, trope-deconstructing YA superhero book in a fun near future setting featuring cute robots and even cuter romance. And Trade Me by Courtney Milan is a swoony, sexy, witty contemporary romance about two seemingly opposite people who decide to switch lives for a month—this books makes me feel so many things and I adore the main couple so much. And all three of these books have awesome Asian American girl protagonists.

SW: Okay, I am seconding the hell out of Last Call and Not Your Sidekick, which were also among my top reads of 2016. (I’ve linked my reviews above for everyone who’s interested.) Trade Me I’ve heard of but haven’t read, but I’ll add it to my TBR. Thanks for taking the time to answer these questions, and I wish you a wonderful launch for Heroine Worship!


Sarah Kuhn Credit CapozKnows PhotographySarah Kuhn is the author of Heroine Complex—the first in a series of novels starring Asian American superheroines—for DAW Books. Heroine Complex is a Locus bestseller, an RT Reviewers’ Choice Award nominee for Best Urban Fantasy, and one of the Barnes & Noble Sci-Fi/Fantasy Blog’s best books of 2016. The sequel, Heroine Worship, is out summer 2017. She also wrote “The Ruby Equation” for the Eisner-nominated comics anthology Fresh Romance and the geek girl rom-com novella One Con Glory, which earned praise from USA Today and io9 and is in development as a feature film. Current writing projects include a series of Barbie comics and a comic book continuation of the cult classic movie Clueless. Her articles and essays have appeared in The Toast, The Mary Sue, Uncanny Magazine, AngryAsianMan.com, IGN.comStarTrek.com, The Hollywood Reporter, and the Hugo-nominated anthology Chicks Dig Comics. (Photo Credit: CapozKnows Photography)

You can find Sarah on the Web:

Author Interview: F.C. Yee

This month is packed with interviews because of #AsianLitBingo, and there are four more to go before the end of the month, not counting this one, so I hope you are ready for the flood. Today’s special guest is F.C. Yee, whose debut YA novel The Epic Crush of Genie Lo is releasing August 8th!

I have to take a moment to appreciate this cover because it’s so eye catching.  (In an earlier version of the cover, Genie was much smaller compared to the title, and the difference in the visual impact is pretty dramatic.) I especially love the tagline because it’s a hyperbolic rendition of a typical Chinese parent line and sets the tone for the story.

Before we begin with the interview, here’s the Goodreads synopsis:

The struggle to get into a top-tier college consumes sixteen-year-old Genie Lo’s every waking thought. But when her sleepy Bay Area town comes under siege from hell-spawn straight out of Chinese folklore, her priorities are suddenly and forcefully rearranged.

Her only guide to the demonic chaos breaking out around her is Quentin Sun, a beguiling, maddening new transfer student from overseas. Quentin assures Genie she is strong enough to fight these monsters, for she unknowingly harbors an inner power that can level the very gates of Heaven.

Genie will have to dig deep within herself to summon the otherworldly strength that Quentin keeps talking about. But as she does, she finds the secret of her true nature is entwined with his, in a way she could never have imagined…

As always, my comments and questions are in bold and labeled with “SW.” F.C. Yee’s answers will be labeled “Christian” (because that’s what the C stands for and I’ve been using given names for all these interviews).

SW: Please introduce yourself!

fcyeeChristian: Hi! I’m F.C. Yee, author of The Epic Crush of Genie Lo. It’s my first work of fiction to be published. Prior to that, most of the writing I did was in college for a humor magazine. I live in San Francisco and enjoy varied pursuits like staying in, staying in and watching TV, and staying in and playing games.

 

SW: Beyond what’s the in the Goodreads synopsis, tell us a little about The Epic Crush of Genie Lo.

Christian: This book, if I did it right, is about knowing exactly what you want and being kept from it by forces that claim they’re beyond your control. It’s about discovering your inner power, testing the validity of those claims, and finding out that they were BS all along.

If I did not do it right, then it’s solely about make-believe punching.

It is not the first book I ever wrote; in fact the first words I put to paper for The Epic Crush of Genie Lo were during a writer’s conference where I was supposed to be talking about a different book entirely. I solidified some ideas on hotel stationary during a pitch session and read the pitch to the group before the rest of the story existed. They didn’t hate it, so here we are.

SW:  Since your book incorporates some Chinese lore, what is your favorite Chinese myth/folktale/legend?

Christian: My favorite story would be how the goddess Nuwa created humans. According to some versions, she started by sculpting individual people out of clay. But at some point she got impatient and started flinging the clay around, creating people wherever drops of it landed.

The legend isn’t very funny when used to justify social hierarchies like it apparently was in the past, but it is pretty amusing to imagine a creator goddess going “Eh, whatever. It’ll work out.” I like to think we’re all of us the product of hasty assembly, without exception.

SW: That sounds less flattering than what the Greeks came up with, but hey, we can’t all be artists and masters of crafting, right? Speaking of craft, did you do any research for the story? If so, what kind?

Christian: I read multiple versions of Journey to the West, including an abridged one that has maybe three demons tops, and an unabridged version that was so long I doubt I remember every part of it. Prior to that I had read or watched media about Sun Wukong in passing, but it wasn’t with the intent of doing research. Also, it would be impossible to claim that I wasn’t influenced by American Born Chinese, which I’d read before the idea of doing fiction ever crossed my mind.

SW: My background with Journey to the West is fairly similar. My dad read me these illustrated storybooks about the Monkey King and I watched a cartoon movie about him, but I’ve never actually read Journey to the West in either English or Chinese. I’ve been meaning to though.

But even with only bits and pieces the human mind can create so much. You start out with a seed of an idea but end up with a fully fledged story. How has your story grown and changed from its earlier iterations?

Christian: The major plot beats and characterizations were pretty much the same since early drafts, but a lot of the smaller details kept evolving to fit the story and tone. I ended up removing some unnecessary complications that would have caused the narrative to come to a screeching halt or thrown the reader out of the flow of the story. There was also a steady shift over time towards increased focus on Genie’s relationships with her best friend, and especially her divine mentor/boss/older sister figure.

SW: I loved that character, so I’m glad you decided to give her more page time. It was cool to see a very modernized depiction of her. Coincidentally, she’s sort of important to one of the stories I’m writing, so I’m just going to pretend our stories happen in the same universe about a thousand years apart 😉

What was your greatest challenge with writing the book?

Christian: I struggled for a while with how to relay the origins of Sun Wukong to anyone who wasn’t familiar with the original story. Going back to the above question, another draft of the book had interludes that tried to summarize relevant chunks of Journey to the West, and that didn’t work as well as what I eventually landed on.

To my surprise I also got stumped on some small key plot mechanics that I needed to keep the story moving forward. Certain elements that should have been obvious in retrospect took me weeks of banging my head against the wall to figure out.

SW: I think I’ve been through something similar in the past. On the flip side, what was your favorite part of writing the book?

Christian: I enjoyed creating the reversals that occur during fight scenes and giving off that manga-esque “You think you have me beat but this isn’t even my true power!” feeling. I may or may not have imagined most of those moments before writing the book and used them as motivation to finish the rest. *cough*

SW: “Write the shiny, explosive parts first, sweat the small stuff later” is probably a lot of writers’ modus operandi, to be honest, ha. 😂

This next question is something that came up while I was reading the ARC of your book. (Spoiler free zone, don’t worry) What’s your beef with bubble tea? Okay, I’m being facetious, but Genie seemed to be very adamantly against bubble tea. Speaking seriously, was there any reason besides familiarity that motivated you to set the book in the Bay Area in particular?

Christian: I personally love bubble tea! I just thought it would be funny if Genie hated something that most everyone in the Bay Area loves. The thought of her silently grousing as all her friends keep wanting to meet up for bubble tea was a very Genie-like image in my head.

As far as for why the book takes place in the Bay Area, I’m afraid it was just proximity coupled with an Asian American population that lent the setting elements that I wanted. I’m sure there’s an alternate universe where I lived elsewhere and wrote the book to be in Flushing, NY, or maybe Vancouver.

SW: I guess that means Genie and I would not hit it off​ that well. I love bubble tea and wished I lived somewhere that has plenty of bubble tea shops nearby. 😅

Now, for the last question…

Although the book feels like it can stand alone, I also think there’s room for more stories about Genie. Are there are any sequel ideas/plans? If not, any hints at what’s next/what you’re working on?

Christian: There will definitely be at least one more book about Genie (hooray for contractual obligations!) After that, I might try my hand at YA Fantasy, or even a Middle Grade book. I would love to do a book that has a Korean influence as I’m of Korean descent as well as Chinese, and I have to be fair to both sides of the family ☺

SW: Yesss! I’m so down for another book about Genie and Quentin. I’m also excited about the possibility of a Korean-influenced book because we need more Korean rep in YA, especially SFF.👀

Thanks a bunch for this interview! I’m looking forward to receiving my copy of The Epic Crush of Genie Lo on release day!


You can find F.C. Yee on the web:

And don’t forget to add The Epic Crush of Genie Lo on Goodreads!

Author Interview: Mina Li

This is the fifth in my author interview series for Taiwanese American Heritage Week. Today’s special guest is Mina Li. In this interview we will be talking about two of her published short fiction pieces and her writing experiences.

As usual, my comments and questions are in bold and labeled with “SW.”

SW: Asking this of everyone: What’s your favorite Taiwanese food? (Feel free to list as many as you like if you can’t pick one.)

Mina: This is going to be a really disorganized list, so in no particular order: scallion pancakes, bubble tea (50 Lan has this oolong bubble tea that is just the right amount of smoky, creamy, and sweet), aiyu jelly, sheng jian bao, pineapple cakes with actual pineapple bits in the filling, custard apples, wax apples, and beef noodles.

Oh, and one thing I was introduced to in the US from my mom: green mango pickles. I have some in my fridge right now.

SW: Scallion pancakes, bubble tea, pineapple cakes, and beef noodles are also among my favorites. I’m sad that there are no Taiwanese bubble tea chains anywhere near me. 😦

So I just finished reading “Of Peach Trees and Coral-Red Roses” and loved it. It strikes me as a very Asian American story, with a heroine who has been displaced from her homeland and is fighting to preserve her connection to it. What inspired this story?

Mina: There was a fairy tale meme going around with a writing group of mine, where we could request retellings starring our OCs. A good friend of mine requested Tam Lin with the heroine of another story I had, and a side character that she had Unresolved Romantic Tension with. As in, the only story that had them remotely as a pairing was a drunk kiss during a wedding reception.

And then it turned out some of the readers were into that pairing, so I took it and ran. That was back in 2012 or so. The story written wasn’t “Peach Trees” since it was mainly for readers familiar with my OCs, and also, it was from “Tam’s” point of view.

Around 2013-2014 I was really considering submitting my work, and I thought of rewriting that story from “Janet” (now Kairu’s) PoV. It really does strike me that you liked the diaspora aspect of it, considering an editor I’d spoken to at the time said they wouldn’t have taken the story. I still remember their words: “Why can’t it take place in her own country?”

It does bother me that there are those out there that don’t recognize that Asian diaspora characters aren’t white people with Asian faces, that we’ll have different experiences that aren’t quite the same as our white or Asian-in-Asia counterparts. So when I was writing “Peach Trees,” I took special care in how Kairu perceived The Borders v. the kingdom of Yue. That took more work than I was anticipating, since there were a lot of internalized things I had to confront, like beauty standards and perception of environment. I suppose one of the points I was trying to make was that an Asian character in a Western environment isn’t necessarily going to be the same as a white character in a Western environment. There seems to be a notion that when people immigrate to the West, they abandon their culture and adapt right away, and when it comes to my immigrant family, immediate and extended, that couldn’t be farther from the truth.

Warning: SPOILERS for “Of Peach Trees and Coral-Red Roses.” Highlight to read:

Jumping off of that point, that’s actually where the peach tree came in. Fairies are weak to iron, but in Chinese folklore, if you want to keep away demons, peach branches and peach wood are used in exorcising demons. The original weapon I was going to have for Kairu would have been some MacGyvering of iron and a peach branch. A beta reader, R.P., suggested a different idea where the peach tree was magic, and the rest is history. (I really, really owe her for suggesting that–it was such a good idea that I managed to rewrite the draft in two weeks!) I like how it has Kairu triumphing over the faerie queen using a weapon from her own folklore, and what that implies for diaspora–that despite their new surroundings, their culture is still viable and valid. (End spoilers.)

SW: To be honest, I’ve been wanting to write secondary world diaspora stories because diaspora seems to be missing from a lot of high fantasy. In most fantasy stories, racial/ethnic groups tend to be very self-segregated, which feels unrealistic given that the migration of people has happened since as long as there have been people.

I also read “Dreaming Keys” because I bought the An Alphabet of Embers anthology a while back. I was pleasantly surprised to find that the main character/narrator was Taiwanese American and that the story used actual Chinese characters (hanzi) in dialogue, as opposed to pinyin and/or translations. What motivated this decision, and how would you say your multilingual background plays into your writing?

Mina: A good friend of mine showed me John Chu’s “The Water That Falls on You from Nowhere,” and that was really the first story I’d seen that had hanzi instead of pinyin or translations. It was revelatory, in a sense, because before that, I would have thought “no, I can’t do that, it’s simply not done, how are readers going to understand what the characters are saying?” Chu showed that it could be done, and extremely well, too–that story won a Hugo! So I’d have to say that that story had a major influence in writing hanzi dialogue in “Dreaming Keys.”

Prior to that, a lot of my multilingual background was trying to directly translate proverbs or hanfu items into terms that non-Chinese/Taiwanese readers could understand. I remember adding notes at the end of stories that explained the proverbs or any terms/items that readers might not be able to get.

When it comes to Bethany being Taiwanese-American, I guess the motivation in its simplest terms is that I don’t see a lot of Taiwanese protagonists in books or stories outside of Taiwan. Fresh Off the Boat was a big deal for me when it aired (despite the first season finale where they apparently thought the mainland and Taiwan were interchangeable) because it was the first TV show that immediately felt familiar and like home.

SW: Yeah, I can practically count on two hands the number of Taiwanese protagonists I’ve come across (book list coming soon) in my years reading Anglophone lit. Which is why I always jump for joy when I see another.

One of the things I’ve experienced during my years writing as a Person of Color and Asian American is a shift from writing European-esque settings (for fantasy) and white characters (mostly for contemporary) to writing fantasy inspired by my own Taiwanese heritage and characters who look like me and share parts of my identity. Did you ever go through such a phase or transformation? How would you say your approach to writing has changed over time?

Mina: I think I always leaned toward Asian characters, when it came to fanfiction or RPs. The few times I’ve written sympathetic protags that aren’t explicitly Asian, it feels…off to me, for lack of a better word. I have to work a bit harder at getting inside their heads from time to time. With Asian characters, it’s easier, for lack of a better word.

When it came to fantasy (the genre I write the most), I don’t know if I ever thought of writing Western-style high fantasy? I’ve done urban fantasy with Western settings and Asian protagonists, and I have an wuxia fantasy story that takes place in both fantasy versions of Asia and Europe. The main character is Chinese, and it’s basically four years of her growing up in those circumstances. It’s currently on ice now, but if/when I do go back to it, I’d probably redo a few backstories and try to be more inclusive on marginalizations. I’m still rather fond of it.

SW: When I was younger I wrote high fantasy with European-esque settings, but a lot of my stories had dark haired characters who were coded as Asian. As I got older I converted over to writing explicitly Asian characters and #ownvoices narratives.

For marginalized writers, writing #ownvoices stories is often a means of speaking back to a society that others us and erases us. How do you approach writing #ownvoices narratives, and what are your goals, if you have any, when writing them?

Mina: I don’t know if I have any goals at the moment. When it comes to writing #ownvoices narratives, I tend to pull from my own experiences, which tend to come from the majority in some cases (Taiwanese Mandarin is the only dialect I speak, and my parents immigrated to the US for grad school, for example). It does bother me from time to time when outsiders are all, “this is just another narrative of X” sometimes. I did see a book review critiquing the fact that the main character was another high achiever kept from her artist dreams, and the author commenting quite politely that while she could understand that, that those were her actual experiences she was writing about.

I think we have to be careful not to internalize the myriad demands of what diverse audiences wants–that it’s totally okay if you yourself cannot provide them. I think what we could do instead is that if there is someone writing #ownvoices from PoVs you can’t provide, to support them by boosting their work and purchasing it. But even if your voice falls within the majority or the mainstream, it’s still important and deserves to be heard.

SW: I think as Asian Americans we get our writing policed as either “too Asian” or “not Asian enough,” and in my case I always wonder if people are going to question the authenticity of what I write because I’m not writing oppressive Asian immigrant parents.

Although Asian American literature is often pigeonholed as being about “the immigrant struggle,” there’s so much more to it than that. What aspects of Asian America and Asian American identities and experiences do you find yourself drawn to? What kinds of Asian American stories do you want to write about?

Mina: So the “immigrant struggle” doesn’t do a lot for me personally; my folks had no tragic backstories, and their memories of growing up in Taiwan aren’t particularly hardship-filled or tearjerking. They go back every now and then and seem to have a grand old time, so.

I’m a bit more focused on Asian American stories that don’t take place on the coasts, where there isn’t a Chinatown–we certainly have a strong Taiwanese community here, but there’s no area in my neck of the woods that would be considered a Chinatown, you know? And of course not all Asian-Americans are raised in California or New York.

I have a novel planned that’s got a Taiwanese-American protagonist. She wasn’t the perfect daughter in high school because she didn’t get straight As, never really smiled, and basically had interests that were outside the mainstream. At that age, she discovered certain powers that she had, but due to bullying, used them to hurt instead of help. The novel begins when she’s in her thirties, where she’s tried to bury that really hard, but also still isn’t the perfect daughter (unmarried, occupation is respectable but doesn’t pay a lot, body issues, etc). Another character in the novel is her rival, someone she was unfavorably compared to growing up, and how his boyfriend comes to her for help.

When I was a kid, one of the things I hated most was being compared to other kids. It really made me feel inadequate, like I would never be good enough. So and so spoke better Mandarin; so and so smiled; so and so was better looking; so and so excelled in sports/math/whatever. As I’ve gotten older, I’ve realized that they’ve had their own issues growing up, or actually were really cool people. And it surprised me a lot later to hear from one of those kids that his mom had been comparing him unfavorably to me!

SW: I’m totally with you on wanting to write (and read) Asian American stories that aren’t on the coasts, having spent the majority of my life in the South in Texas (14 out of 24 years, welp), where it is a very different environment than, say, the Bay Area.

I’m also on board to read this Taiwanese American novel if/when it happens. In many ways I was very much a model Asian student in high school. Now that I’m out of college, I’ve fallen into a not-so-perfect Asian life, off the beaten path of conventional success that I once envisioned for myself. Because of this, books that explore Asian Americans’ quarter-life crises in their 20s and 30s appeal to me.

But enough about me. Next question…Are there any writers who have influenced you, and if so, who are they?

Mina: John Chu has been an influence with the hanzi, at least, although I’m still trying to find my way with that. (It’s been noted when I write in hanzi that the dialogue sounds very waishengren, so make of that what you will!)

David Mitchell has been one as well. I remember getting Ghostwritten at fifteen and just reading it over and over until the spine cracked. My copy of Cloud Atlas has the cover coming apart from the binding. I just love how he writes his prose, and I’d love to write like that one day.

SW: I think I need to read more John Chu since you’ve mentioned him twice now. I’ve only read one of his short stories to date.

Last but not least, because I’m a youngster looking for guidance, I have to ask: if you could give your younger self writing and publishing advice, what would you say?

Mina: You don’t need an MFA or to take a ton of creative writing classes to get published. Even if you have a day job, you can still write, and you’ll be grateful for the stability. And if you keep at it, you’ll find your folks will come around.

Also, no matter how off the wall an idea sounds, just…just write it. People are more receptive than you think, really. More often than not they’ll think the idea is cool.

Also also: don’t self-reject. Send in the story anyway–the worst they can say is no.

SW: I’m definitely going to keep these words in mind as I continue on in my writing career and graduate to submitting things. Thanks a ton for answering these questions so thoughtfully! I look forward to reading whatever you publish next.


Mina Li’s Self-Intro/Bio: I’m a Taiwanese-American writer, Michigan born and raised. When I’m not writing I like to knit my own sweaters and socks, try out new recipes, and go for long walks. I’ve also got a thing for mermaids, considering The Little Mermaid came out when I was six. Also, a guilty pleasure of mine is watching online reviews of bad movies.

You can find her online at https://minasli.wordpress.com/ or on Twitter @CodenameMinaLi.