I love anthologies because it’s a great way to collect a bunch of talent in one place and also because you can create anthologies that focus on diverse stories and marginalized authors. Here are some anthologies coming out in 2017 and 2018 that I’m looking forward to. Some of these are explicitly for diverse stories, and others have a significant number of marginalized authors involved. Hopefully you will find something here for your TBR. 🙂
Where the Stars Rise is an indie science fiction and fantasy anthology featuring stories that are set in Asia or draw from Asian cultures. Almost all the authors are Asian, and the majority of these are #ownvoices stories. You can find the full Table of Contents with the story titles and authors on Laksa Media’s page.
Love triangles are among the most hated trope in YA, so this may not be for everyone, but if you don’t mind a bit of love rivalry and messiness, then this anthology may be for you. Authors of Color in this anthology: Brandy Colbert, Alaya Dawn Johnson, Sabaa Tahir, Renee Ahdieh, Justina Ireland, Lamar Giles
This anthology features YA short stories of two characters meeting and falling in love. The cover is really cute and promises good things. Authors of Color in this anthology: Dhonielle Clayton, Nina La Cour, Nicola Yoon, Ibi Zoboi. Other marginalized authors in this anthology: Julie Murphy, Meredith Russo.
This is a follow-up of sorts to A Tyranny of Petticoats, an anthology that released in 2016. It contains a bunch of historical fiction YA short stories focusing on girls whose voices and contributions were sidelined in history. Authors of color in this anthology: Sara Farizan, Meg Medina, Stacey Lee, Dhonielle Clayton, Anna-Marie McLemore, Sarvenaz Tash.
If you haven’t heard of Power & Magic: The Queer Witch Comics Anthology, you should check it out. It features comics from women and non-binary creators of color. Immortal Souls is the second in the queer witch comics series and is currently fundraising on Kickstarter.
We Need Diverse Books is behind this diverse YA anthology (as well as Flying Lessons, the diverse middle grade anthology from early 2017), which features stories by various nonwhite authors, including: Melissa d.e la Cruz, Sara Farizan, Sharon Flake, Eric Gansworth, Malinda Lo, Walter Dean Myers, Daniel José Older, Thien Pham, Jason Reynolds, Gene Luen Yang, Nicola Yoon, and others.
This YA anthology is one of my most anticipated releases of 2018! It is a collection of short stories by Asian authors reimagining East, Southeast, and South Asian mythology, folklore, and fairy tales. Authors in this anthology: Elsie Chapman, Melissa de la Cruz, Julie Kagawa, Renee Ahdieh, Roshani Chokshi, Alexander Chee, Aliette de Bodard, Cindy Pon, Alyssa Wong, Sona Charaipotra, Aisha Saeed, Lori M. Lee, Shveta Thakrar, Preeti Chhibber, E.C. Myers, Rahul Kanakia.
For those who are unfamiliar with Uncanny Magazine, they publish science fiction and fantasy prose and poetry as well as nonfiction essays. This special issue focuses on disabled writers and will feature contributions from: Rachel Swirsky, Nisi Shawl, William Alexander, Fran Wilde, Mishell Baker, Alice Wong, Bogi Takács, Rose Lemberg, Khairani Barokka, and more. The Kickstarter campaign has reached its baseline goal and is fundraising for stretch goals.
Toil & Trouble, edited by Tess Sharpe and Jessica Spotswood (fall 2018)
This YA anthology features feminist stories of witchcraft. Authors in this anthology: Brandy Colbert, Zoraida Cordova, Andrea Cremer, Kate Hart, Emery Lord, Elizabeth May, Anna-Marie McLemore, Tehlor Kay Mejia, Karuna Riazi, Lindsay Smith, Nova Ren Suma, Robin Talley, Shveta Thakrar, Tristina Wright, and Brenna Yovanoff.
Note: This review is based on an ARC that I received from the publisher in exchange for an honest review. The finished book will be released on September 26th, 2017.
My Summary: Kiko Himura wants nothing more to escape the suffocating environment of her home and her very white hometown in Nebraska, and acceptance into Prism, her top choice of art school, is her ticket to freedom. Much to her dismay, rejection from Prism ruins her plan, but a new unforeseen opportunity takes its place: she will go on a trip to California with her former best friend, Jamie and visit art schools on the West Coast. Desperation and the nightmare of being forced to live in under the same roof as her predatory uncle are enough to outweigh her intense anxiety, so she goes. More than just a vacation, this is a trip to find herself, reconnect with Jamie, and forge a new future.
Trigger/content warnings: anxiety, emotional abuse, childhood sexual abuse, suicide ableism
I have a lot of feelings about this book because I related to Kiko so much. Growing up in a very white environment as an Asian person messes with your self-esteem and self-image, and like Kiko, I definitely felt that I would never really be seen as attractive by people because I was Asian. I literally had a white friend tell me he generally wasn’t attracted to Asian people (he is no longer my friend, in case you’re wondering). The various microaggressions she experiences are all too familiar to me.
In addition to sharing Kiko’s experience of being Asian American, I also have generalized and social anxiety, and the descriptions of Kiko’s anxiety in Starfish resonated strongly with me. There’s a scene at a classmate’s party that was especially relatable and brought back some painful memories of parties I went to in college. Another aspect of Kiko I saw myself in was her anxiety over having romantic relationships as someone with mental illness(es). The fear of falling into toxic and codependent relationships is so real. In general, the portrayal of anxiety was just so incredibly on point for me, to the point that it actually triggered my own anxiety at times because I was empathizing with Kiko’s experience on a visceral level.
Besides being really relatable, Starfish was simply gorgeously written. Kiko is an artist, and the author expresses her artist’s point of view through poetic language. Each chapter ends with a brief description of Kiko’s latest work of art, which is thematically related to the chapter in question and serves as a visual representation of Kiko’s inner emotional landscape and how she relates to the world and the people around her. These added details create a distinctive voice for Kiko’s character.
If it wasn’t obvious from the trigger/content warnings, this story deals with some heavy topics. Kiko’s home environment is incredibly toxic. Her parents are divorced, and she lives with her two brothers and her white mother. Her mother is emotionally abusive toward her. This abuse has a racialized dimension, as she uses her embodiment of white beauty ideals to belittle Kiko, whose features are more typically East Asian. Kiko craves her mother’s love and approval even while knowing that her mother does not really care about her except as it benefits or is convenient for her. It really hurt to follow Kiko through her interactions with her mother, the pain was so raw.
To make matters worse, during the events of the story, Kiko’s maternal uncle moves into the house with her family, which amplifies her anxiety. It is first strongly implied and then explicitly revealed that he sexually abused Kiko when she was younger, and she has lingering trauma from those events. Although Kiko told her mother what happened, her mother never believed her and sided with the uncle instead.
Despite the serious topics, the book isn’t all doom and gloom and angst, nor is it a tragic story. Kiko’s physical journey doubles as a psychological journey as well, allowing her to process everything she has lived through, refute the victim-blaming messages she’s gotten from her mother, and see that there are people and things outside of the cage of her toxic home. Her relationship with Jamie is very sweet and wholesome, and she also finds a role model who is Japanese American who sees her talent and gives her the push she needs to really chase her artistic dreams.
These parts of the story bring hope and light and an empowering message that were so lovely and satisfying to read. Perhaps others readers might think the ending/resolution is too much of a fairy tale happy ending, but personally, I loved it and think it’s necessary and important for readers who see themselves in Kiko. Her mental illness is not magically cured by the end of the story (which would be a very terrible message to readers), but she has greater self-awareness, a robust support system, and a means of channeling her creative energy and expressing herself honestly, all of which are critical to coping.
My one criticism of this book was the pattern of ableist language. Disabilities, including mental illnesses, span a huge spectrum, and while the rep for one disability may be great, other disabilities may not get the same treatment. In this case, the anxiety was portrayed wonderfully, but there was still ableist language that was insensitive toward other illnesses/conditions, including bipolar disorder, narcissistic personality disorder, and psychosis. Specifically, these illnesses were effectively used as a scapegoat/explanation for Kiko’s mother’s abusive behavior. (Unfortunately, it’s common even for mentally ill people to use words like “psychopath” to label people who behave in violent otherwise horrible ways.) The author did mention on Twitter that she removed the words “crazy” and “insane” from the final version of the book, but I don’t know whether these other references to mental illness were taken out or rewritten. If you’re planning to read the book, just be warned that there may be several instances of stigmatizing language.
Recommendation: Overall, I highly recommend this book because it did so much for me and covered a lot of ground and was just breathtaking to read and experience. If you have anxiety or other related mental illnesses or are an abuse survivor, I’d recommend taking it slow and taking breaks because it definitely has the potential to be triggering.
As a way to force myself away from social media for a while and knock out a chunk of my TBR, I decided to join the #24in48 readathon. What is it? From #24in48:
If you’re new to 24in48, this is the basic gist: beginning at 12:01am on Saturday morning and running through 11:59pm on Sunday night, participants read for 24 hours out of that 48-hour period. You can split that up however you’d like: 20 hours on Saturday, four hours on Sunday; 12 hours each day; six four-hour sessions with four hour breaks in between, whatever you’d like.
Based on my average reading speed and the average page count per book, I’m setting my goal at 10 books. Picking which books to read out of my TBR actually wasn’t hard because I am due to send out the last batch of my BEA ARC acquisitions soon, so this is my last ditch effort to read the ones that I reeeally wanted to read before I sent them out to the marginalized bloggers I promised them to. Here are the books in no particular order!
You Bring the Distant Near by Mitali Perkins (September 12th) – YA, Historical Fiction, #ownvoices Indian/Bengali American MCs
Beasts Made of Night by Tochi Onyebuchi (October 31st) – YA, #ownvoices Nigerian-inspired Fantasy, Black MC
The Belles by Dhonielle Clayton (February 20th,, 2018) – YA, Fantasy, #ownvoices Black MC
Dear Martin by Nic Stone (October 17th) – YA, Contemporary, #ownvoices Black MC
27 Hours by Tristina Wright (October 3rd) – YA, Science Fiction/Fantasy, various QPOC characters (#ownvoices bi rep)
They Both Die at the End by Adam Silvera (September 5th) – YA, Speculative Fiction (idk what do classify this as lol), #ownvoices queer Latinx MC, M/M romance
Wild Beauty by Anna-Marie McLemore (September 26th) – YA, Magical Realism, #ownvoices queer Latina MC
The Stars Beneath Our Feet by David Barclay Moore (September 19th) – MG/YA, Contemporary, #ownvoices Black MC
Water in May by Ismee Amiel Williams (September 12th) – YA, Contemporary, Dominican MC (author is Cuban)
Calling My Name by Liara Tamani (October 24th) – YA, Contemporary, #ownvoices Black+Christian MC
You are permitted to cry in the comments about how utterly amazing this lineup is, I am crying as well. ;~;
Not everyone is a fan of book series, but I personally love them because I’m always hungry for more worldbuilding and character development and glimpses into the lives of the secondary characters (if they aren’t taking center stage themselves). Earlier this year, I did a book list featuring my most anticipated sequels releasing in 2017, and now I’m making a list of sequels to books I’ve read that are already out but I haven’t read yet. Hopefully, this will also be an introduction to a book series that you didn’t know about already. 🙂
Dove Exiled (The Dove Chronicles #2) by Karen Bao – YA, Science Fiction
I read Dove Arising, the first book in the series, as part of a readathon back in January. I first found the book at a secondhand bookstore, where the author’s last Chinese name caught my attention. The book doesn’t have very high ratings on Goodreads or Amazon, so I went in wondering if and how much I would like it. I ended up enjoying it quite a bit for a number of reasons, including the diversity (Chinese American lead and POC supporting characters!), the integration of real science from the author’s degree/background into the story, and the intense high-stakes conflict. For those who are interested, you can read my full review here.
The Disappearance of Ember Crow (The Tribe #2) by Ambelin Kwamullina – YA, Dystopian/SFF
If you missed my Tweet, I just got this and the third book in the series in the mail. Book 1, The Interrogation of Ashala Wolf, was one of the books I read for the #DiversityDecemberBingo reading challenge and I believe it’s the first book by an Indigenous author that I’ve read, sadly (I’ve since expanded my collection though!). Ashala Wolf is a very interesting and distinctive take on dystopian fiction because of the way it frames the dysfunctional society and centers environmental consciousness and spirituality. The author’s Indigenous background (she comes from the Palyku people of the Pilbara region of Western Australia) definitely influenced the portrayal of oppression, giving it the nuance that comes from lived experience. The story is also a bit of a mindfuck because of the unreliable narration. If you’re not a big dystopian fan, I’d still suggest giving this series a try. 🙂 I reviewed the first book here.
The Edge of the Abyss (The Abyss Surrounds Us #2) by Emily Skrutskie – YA, Science Fiction
I totally requested this on NetGalley, got approved back in like January, and yet here I am…oops. Book 1 totally caught my attention because of the pirates and giant sea monsters and Chinese American protagonist (oh my!). I was a bit wary because the author is white, and while I didn’t feel like the rep was done super well, it wasn’t horrible either, and overall I still enjoyed the book for the plot and character dynamics. I’m hoping book 2 gives me more of the substance I wanted when I finished book 1 because I had a lot of questions about the worldbuilding and the characters’ backgrounds. You can read my review for The Abyss Surrounds Us here.
Shadowcaster (Shattered Realms #2) by Cinda Williams Chima – YA, Fantasy
This is a doubly sequel-ish sequel because it’s the second book in a sequel series, lol. Though I haven’t talked it about it a ton because I’ve been focusing on books by nonwhite authors on my blog and Twitter, the Seven Realm series is one of my favorite fantasy series for a lot of reasons: heart-stopping action, forbidden romance, good worldbuilding (also the main setting is a matrilineal queendom!), complex character dynamics, and as a bonus, nonwhite people in a high fantasy setting who aren’t just props or foils to white characters! The Shattered Realms series picks up 25 years after the end of Seven Realms, so it’s a pretty big time jump, but familiar characters from the first series show up, and the next generation of heroes is coming of age. Although you can technically read Shattered Realms without reading Seven Realms, if you don’t want to be spoiled for the ending of the Seven Realm series, read them in order! Shattered Realm builds on the first series by taking you deeper into neighboring nations to the Fells and beyond, so the scope is broader, and I’m really excited to explore these new places and characters. (Side note: I am still a bit salty about the mid-series cover change and prefer the original look because it’s iconic/in keeping with the previous series. Also the new covers are by the same artist who did the Throne of Glass covers, and they look too similar, in my opinion. But anyway, moving on…)
Shadowplay (Micah Grey #2) by Laura Lam – YA, Fantasy
I recently featured this series on my bookstagram, as I own both the original editions of the 1st and 2nd book from a publisher that went defunct, and the new editions of the complete trilogy released by Pan Macmillan. I read the first edition of book 1, Pantomime, back in December 2016 and was going to wait until I read the new edition to write a review to account for any changes/edits that have been made since. The Micah Grey series features an intersex, genderfluid, and bisexual protagonist who runs away to join a circus as an aerialist (flying trapeze!). The setting is a place called Elladia (located in a secondary universe) that has some English vibes too it but isn’t quite England, and it has its own mythology that is a part of the broader storyline of the series. If you want escapist fantasy, this is a book to check out. (Note: the original cover for Shadowplay is a bit misleading as the main character isn’t Asian, and I’m not even sure there is a major character who’s Asian in the series… Nor is the author Asian, for that matter.)
I realized after completing this post that all of these are SFF, which is rather predictable of me. Though that bias might also have to do with contemporary YA not being as series-oriented in general. For those who aren’t big SFF fans, I promise do blog about non-SFF books, so stay tuned for future book lists and reviews.
Also, if you want to share, please tell me about some of your favorites series in the comments! ^o^
The Jumbies and Rise of the Jumbies by Tracey Baptiste – MG, Fantasy, Afro-Caribbean/Trinidadian MC, #ownvoices
The Jumbies is an atmospheric tale of secrets and dangers that draws you in and gives you the heebie jeebies. Corinne, our gutsy heroine, will do anything to protect her father from the beautiful but deadly Severine. With the help of her friends, the local witch, and her own latent powers, she sets out to save the island from being taken over by a powerful force. When you are done you will look to the trees and wonder what strange creatures lurk within and whether they might appear to make mischief.
Book 2 tops Book 1 and takes you on an incredible journey across the ocean, with more magic and new friends and foes as Corinne comes into herself and her power. It captures the agony of a painful, half-forgotten past and the fragile hope for a future and brings home the tensions of family and loss.
The Education of Margot Sanchez by Lilliam Rivera – YA, Contemporary, Puerto Rican MC, #ownvoices
The Education of Margot Sanchez follows the story of a Puerto Rican girl who’s trying to fit in at her prestigious prep school at all costs. Her desperation drives her to questionable actions, and eventually her misdeeds catch up to her. While she’s serving out her punishment at her family’s grocery store, she meets a handsome young man who’s campaigning against the gentrification of their neighborhood, and through various events, comes to appreciate her community and confront her own mistakes.
This novel covers a lot of ground, including dynamic friendships, peer pressure, budding romance, class struggles, challenging machismo, family drama, and personal growth. Margot is an incredibly flawed person but also a sympathetic protagonist, and watching her character learn and grow was intensely satisfying. In other words, the book really lives up to its name.
American Street by Ibi Zoboi – YA, Contemporary, Magical Realism, Black/Haitian American Immigrant MC, #ownvoices
I had few expectations going into this book and when I came out the other end, I was shaken to the core. This is not an light read. From the beginning it’s wracked with tension and conflict. Fabiola has just moved to Detroit from Port-au-Prince, Haiti, and she’s thrust into this new environment without her mother, who has been detained. The American paradise she envisioned turns out to be much grittier than she realized. In Detroit, she relies on her strong-willed and influential aunt and cousins to support her and finds an unexpected romance.
Unfortunately, these relationships are overshadowed by various kinds of violence: intimate partner violence between one of her cousins and her boyfriend, violence from systemic racism and classism, and the violence of livelihoods built upon huge risks and illegal activities. In her quest to free her mother from detainment, Fabiola gets drawn into a complicated and fragile web of secrets and lies that threatens to destroy the foundations of her new life.
What was especially poignant and powerful to me in this book was the juxtaposition of Fabiola’s and her cousins’ respective backgrounds and the way they projected their own hopes and dreams onto one another. Although Fabiola is the primary viewpoint character, there are a few interludes and departures from the main narrative that provide insight into the supporting characters, their histories, their motivations, and so on that add another layer of depth to the story. The magical realism elements were critical to establishing setting and foreshadowing and illuminating the themes of the story.
Trigger Warnings for American Street: abuse, violence, death
The Epic Fail of Arturo Zamora by Pablo Cartaya – MG, Contemporary, Cuban MC, #ownvoices
Like Margot Sanchez, The Epic Fail of Arturo Zamora tackles the theme of gentrification but with a lighter tone. Arturo is an adorkable thirteen-year-old whose extended family lives together in an apartment building and runs a restaurant established by his grandparents. He has a few ambitions: tell his crush he likes her, save the family restaurant and local community from a seedy land developer, and make his grandmother proud of him. Along the way, he discovers the beauty of poetry and the legacy of Cuban revolutionary José Martí and connects with his late grandfather, who left behind letters and verses for him.
This heartfelt story shows us that not all heroes wear capes, and even the thirteen-year-old boy who gets tongue-tied around his crush has a shot at saving the day. My favorite parts were the family dynamics, the delicious food descriptions, and the incorporation of poetry into the narrative as an inspiration for Arturo and a medium for his growth and self-expression.
Lucky Broken Girl by Ruth Behar – MG, Historical Fiction, Cuban Jewish American Immigrant MC, #ownvoices
Lucky Broken Girl is semi-autobiographical and tells the story of a young Cuban Jewish girl who has just immigrated to the U.S. and winds up confined to her bed for almost a year after a car crash that puts her in a full-body cast. While she is cut off from the world outside, she finds solace and companionship in her neighbors and classmates, who bring joy and beauty into her life with their kindness and generosity. Throughout this experience, she struggles with ableism from her parents, who are her caretakers, and her own inner voices, which are exacerbated by her isolation.
Perhaps most poignant and memorable is her period of rehabilitation after she is free of the cast. The anxiety and sense of inadequacy and frustration with slow progress were palpable to me, and intensely relatable as someone who experienced hospitalization for mental illness, albeit not for months.
If there was one thing I really felt was lacking in the story, it was more interaction with people who shared her experiences of disability. They were mentioned but weren’t given much page time, and I feel like including those kinds of interactions would have enriched the narrative. That, and I feel like there could have been space for acknowledging that not everyone is temporarily disabled the way Ruthie was; some have lifelong disabilities (hi, that’s me), and their worth isn’t defined by their disabilities or whether they can recover from/overcome them.
Life update and mini review series introduction: I have a full-time job right now, so writing 600+ word reviews for every book I read has become unsustainable. However, since I still want to share my thoughts on all the books I read, I’m compromising by doing mini reviews for most books and full reviews for a smaller fraction. This first set of mini reviews will focus on five books with Muslim characters that I’ve read recently. 🙂
The Gauntlet by Karuna Riazi – Middle Grade, Fantasy, Adventure, Bangladeshi American MC, #ownvoices
In The Gauntlet, Farah Mirza is forced to play a larger-than-life board game in order to save her younger brother from being taken by the game’s Architect. It is such a fun book that really engages the senses, especially sight, smell, and taste. Loaded with loving and vivid references to Bengali, desi, and Middle Eastern cultures, it’s an adventure that you can’t miss. As someone who loves games and puzzles, it was a treat to read about Farah’s three game trials, especially the one involving Mancala, which I played with my sisters when we were young. There were colorful characters and interesting twists and a setting that literally shifts and changes to keep me engaged and delighted throughout.
The Lines We Cross by Randa Abdel-Fattah (originally published as When Michael Met Mina in Australia) – Young Adult, Contemporary, Afghan-Australian MC
The Lines We Cross is a powerful story about racism, xenophobia, and Islamophobia. The main character, Mina, moves from a racially diverse, working-class part of the city to a wealthier, white-dominated area. There, she meets and goes to school with Michael, who is white and the son of a local conservative political organizer who is the head of an organization pushing a xenophobic and Islamophobic agenda. Despite their differences, the two are drawn to each other and find common ground, and Michael is forced to confront his own privilege and question his internalized biases. The reason this learning and redemption arc works is because Mina’s perspective is there to complement Michael’s, it’s not just centering Michael. Moreover, Mina actively calls out Michael’s ignorance and biases and refuses to perform the labor of educating him, so her purpose in the story is not to serve his character development.
Saints and Misfits by S.K. Ali – Young Adult, Contemporary, Egyptian/Arab-Indian American MC, #ownvoices
Trigger Warnings: Sexual assault
Saints and Misfits is a gem of a story about a Muslim hijabi teen, Janna, who’s trying to navigate the confusing feelings of adolescence and deal with her traumatic experience of sexual assault by a supposedly upstanding member of her community. Her voice is refreshingly honest, snarky, and down-to-earth. I loved the different relationships explored in the story, from her family drama, to her friendships with people at school and at the Islamic Center, to her crush on Jeremy, to her mentor-mentee relationship with her imam. The supporting characters really rounded out the story, giving it depth and breadth. The topic of sexual assault was explored with sensitivity and grace, and I found it to be an empowering story for survivors and an honest commentary on how a community may fail its members.
Love, Hate, and Other Filters by Samira Ahmed – Young Adult, Contemporary, Indian American MC, #ownvoices
Trigger Warnings: Islamophobia, physical assault
Love, Hate, and Other Filters is a powerful novel about intergenerational conflict and Islamophobia, how it feels to be caught in between others’ expectations and your own aspirations. Maya’s parents have a plan for her, and it doesn’t involve going to NYU to study film or dating someone who’s not her parents choice of pious Muslim boy, especially not a white boy like Phil. Because of these suffocating expectations, Maya lives a double life, applying to NYU and meeting Phil in secret, and it will break your heart to see her struggle. Parallel to the day-to-day events of Maya’s life, a terrorist plots to wreak havoc. When the attack occurs, the prime suspect shares Maya’s last name, so she gets targeted with vitriol and violence. This book is such an emotional rollercoaster, and the author doesn’t pull any punches. Maya’s fear and hope are tangible, and you feel the weight of her choices. I loved the juxtaposition of Maya’s first-person narrative with third-person snippets of people whose lives are affected by the terrorist attack. It heightened the tension of the story and connected the dots between seemingly unrelated people.
That Thing We Call a Heart by Sheba Karim – Young Adult, Contemporary, Pakistani American MC, #ownvoices
That Thing We Call a Heart happens over the course of a summer, the summer before Shabnam goes off to college. She’s been estranged from her best friend Farah, so she finds companionship in a cute boy named Jamie, who lands her a job at his aunt’s pie shack. It’s hinted at in the synopsis, but Jamie is not that great of a guy, and he sort of fetishizes Shabnam, and through this experience Shabnam comes to learn what a bad relationship looks like and how infatuation can cloud your judgment. My favorite part of the story was her interactions with her parents, her best friend Farah, and her great-uncle who survived Partition. Her dad teaches her about Urdu poetry, which gives her a connection to her heritage and artistic inspiration. Her best friend Farah was by far my favorite character, defying stereotypes of hijabi girls by dyeing her hair and listening to punk music and not taking shit from anyone. Shabnam’s alienation from Farah is very much her own fault, and in the story, she has to work through the issues and make amends. The dynamic nature of their friendship felt realistic, and it resonated with me a lot as someone who’s gone through similar stages with my own best friend. Lastly, her relationship with her great-uncle felt really relatable to me as someone who doesn’t have very close relationships with people of my grandparents’ generation, who lived through two periods of colonization. Her uncle lived through a very horrifying and bloody chapter of history, and it’s hard to communicate and connect when you feel like there is so much you don’t know about someone and their history. Shabnam’s curiosity and weighty feelings and desire to learn more about that history mirrored my own with respect to 20th Century Taiwanese history.
As y’all may already know, I’m a huge SFF fan, and this year Asian SFF YA has been absolutely spectacular! I’ve reviewed Want, A Crown of Wishes, The Epic Crush of Genie Lo already, but I still need to write and post reviews for Forest of a Thousand Lanterns and Warcross. I’ll be honest and say Want and Warcross are my favorite books by Cindy Pon and Marie Lu, respectively. They are so immersive and intense and exhilarating. All of these were five-star reads for me, and I’m so excited for other people to read and hopefully fall in love with them! 🙂
It’s a tie! Rise of the Jumbies is the sequel to The Jumbies by Tracey Baptiste, and Shadowhouse Fall is the sequel to Shadowshaper. I have yet to review any of these, but I really need to. I read these two sequels for Caribbean American Heritage Month, which was this past month. Rise of the Jumbies is set in Trinidad and also Ghana (with an epic cross-Atlantic journey in between), and Sierra, the heroine of Shadowhouse Fall, is Puerto Rican. Both series incorporate Caribbean lore, and they are filled with suspense, family bonds, friendship, and journeys of self-discovery. I adore these covers so much.
3. NEW RELEASE YOU HAVEN’T READ YET, BUT YOU WANT TO
I’m not sure what counts as new, but among the books released in the past two months, there are quite a few I’m eager to read:
One Shadow on the Wall tells the story of a boy in Senegal who has lost his father and must support himself and his family. Crossing Ebenezer Creek is based on a historical event during the Civil War era of U.S. history and features a recently-freed Black girl trying to forge a new life and future for herself. I Believe in a Thing Called Love is a contemporary romantic comedy in which a studious Korean American girl attempts to use Korean drama tropes to win the heart of her crush.
4. MOST ANTICIPATED RELEASE OF THE SECOND HALF OF 2017?
HAHA as if I could pick just one or even three. I need to section these off:
The Speaker by Traci Chee (The Sea of Ink and Gold #2, September 12th)
Chainbreaker by Tara Sim (Timekeeper Trilogy #2, November 7th)
If you haven’t read my rave reviews for the prequels to these books, you can go find out why I love them so much. The short version: The Reader (my review) is one of the most creative fantasy novels I’ve read in a long time, interweaving four different storylines and featuring a fascinating magic system in which the act of reading is a literal kind of magic. Not Your Sidekick (my review) is a fresh take on superheroes in a futuristic American West combined with a cute f/f romance. Timekeeper (my review) is set in an alternate England where clocks literally control the flow of time; in this world, our hero investigates a series of clock malfunctions with a sinister source while falling in love with an adorable and mysterious clock spirit.
I wasn’t joking when I said I love SFF! Beasts Made of Night is a Nigerian-inspired fantasy story that centers on a young man who is a magic user responsible for vanquishing the sin-beasts that form from people’s guilt as he navigates a deadly political conspiracy. Rebel Seoul takes place in near future Korea and stars a boy turned soldier who is recruited for a special project involving giant killing machines and forced to decide where his loyalty lies. The Library of Fates is based on the historical invasion of India by Alexander the Great and features a princess and servant on the run, in search of the Library of All Things, which may have the key to changing one’s fate.
Starfish is about a biracial Japanese American girl who deals with social anxiety while away from home and finds the courage to pursue the career of her dreams as an artist. You Bring the Distant Near tells the stories of three generations women in an Indian/Bengali immigrant family as they grow into their American identity. A Line in the Dark features a queer Chinese American girl who gets sucked into an elite social circle that is filled with secrets and danger.
More fantasy! Spirit Hunters stars a biracial Korean American girl who discovers her new house is haunted and has to save her brother from malevolent spirits. Akata Warrior is the sequel to Akata Witch (my review), a fantasy story starring four Nigerian American/Nigerian teens exploring their magic and working together to face down powerful foes. Whichwood is a companion to Furthermore and is a Persian-inspired story about a girl who washes the bodies of the dead and whose hair and hands are turning silver.
5. BIGGEST DISAPPOINTMENT
Okay so as far as 2017 book covers go, a few have disappointed me:
All of these were in my most anticipated cover reveals post but fell short of my expectations based on their synopses. Specifically, I was hoping that they would feature POC prominently, and they all failed to do that.
Forest of a Thousand Lanterns was probably the biggest letdown out of all of them. The symbolism of the apple blossom isn’t apparent because most people have no idea what an apple blossom looks like and wouldn’t be able to identify it on sight, the font is really tacky, the repeating yin-yang symbols is also kitschy and the only real indicator that the book is based on East Asian cultures, and in general I just wish it had more detail and texture to it. My mental aesthetic for Xifeng and FOTL was Fan Bingbing starring in the Chinese historical drama, The Empress of China, and I was totally hoping for something similar to the images below.
What disappointed me about the Warcross cover was the color scheme: it wasn’t dark enough for the feel of the story, in my opinion. And, to state the painfully obvious, it’s literally just the title in a slightly upgraded version of 2007 MS Word Art. Verdict: should have hired Jason Chan, who did the cover art for Want and Heroine Complex and Heroine Worship.
As for Beasts Made of Night…I was hoping for a Black boy to be on the cover looking fierce and magical, but instead we got animal silhouettes. It’s not terrible, but I wanted something with more texture that really takes up space.
The conclusion: PenguinTeen needs to invest in better cover art. They are horribly underselling their best SFF titles by POC with mediocre covers.
A Line in the Dark gives you the dark and creepy vibes from the synopsis but is once again very vague, and I’m willing to bet the hand model they used for that photo wasn’t even Asian. Like why is it so hard to just put a queer Chinese American girl on the cover?
Okay, I’ll stop ranting about cover art now and talk about actual stories that disappointed me. There were only two, actually.
One was the middle grade book Stir It Up!, which I reviewed earlier this year. As I mentioned in my review, it didn’t have the level of detail and substance I was hoping for in a book centered on Indo-Caribbean cuisine that had so much potential. The other book was The Takedown by Corrie Wang. The premise sounded very interesting, and I was cautiously optimistic despite the fact that it was written by a white author (the main character is biracial Chinese American), but when I actually got to scoping it out at the bookstore, I found the main character really annoying, plus it was lowkey racist and sexist, among other things. Good thing I didn’t buy it.
I was looking forward to reading this book because it features a Thai American protagonist, the 2nd one in contemporary YA that I know of and the first in years. There was some hype going for me. Then I actually read it, and I was completely blown away. My Goodreads review says it all:
“I didn’t intend for my review to be a haiku but the universe had the syllable count planted in my subconscious somehow so here you go:
holy fucking shit
what the hell did I just read
I need to lie down”
Also, my Twitter mini-thread:
narratives I've read. the diaspora narrative really heightens the tensions that play out in the thriller arc bc it's so intensely personal
Okay, it’s fairly rare for a book to actually, literally make me cry, but this book actually did that. It was over a very emotional mother-daughter moment that really struck a chord with me, and I guess the biggest factors that contributed to that was a) the protagonist is [East] Asian American like me, and b) I lost my own mom last year so I’m still really sensitive to stuff relating to moms. If you want to read my thoughts about the Latinx rep (the love interest is Mexican American), I wrote a brief review about it on GR, but as I’m not Latinx, I don’t feel comfortable actually recommending this book to people since it was called out a few months back by a sensitivity reader for bad rep, and I don’t know to what extent that stuff was fixed/edited for the final version.
Okay, this was one of my favorite middle grade books of the year because it was really cute and fun but also creative about turning certain racist microaggressions against biracial Asian people on their head. You can read my full review here.
12. FAVORITE BOOK TO MOVIE ADAPTATION YOU’VE SEEN THIS YEAR
…I don’t think I’ve seen any? Oops.
13. FAVORITE REVIEW YOU’VE WRITTEN THIS YEAR?
Probably my review for Want since it’s such a personally satisfying read because of the Taiwanese rep.
14. MOST BEAUTIFUL BOOK YOU’VE BOUGHT OR RECEIVED THIS YEAR?
It has such gorgeous cover art! It extends onto the back as well, and there’s a Chinese character on the cover under the jacket; it’s the word for the main character’s name, Jing. You can see it in my bookstagram post:
Midnight Without a Moon is based on true historical events relating to the murder of Emmett Till in the mid-20th Century, told through the perspective of a young black girl. Stef Soto, Taco Queen tells the story of a girl who wants to escape the shadow of her family-run taco truck until that very livelihood is threatened, and she become it’s greatest champion. The Harlem Charade follows three kids of color in Harlem as they investigate one of them’s missing grandfather and stumble upon an insidious plot to gentrify their neighborhood. Piecing Me Together tackles the intersections of race, gender, and class for a Black teen girl who attends a mostly-white private school, where she’s identified as “at-risk.” Wintersong is an atmospheric retelling of the story of Labyrinth, in which a girl who loves to compose music becomes the bride of the Goblin King, her creative muse, in order to save her sister. Empress of a Thousand Skies is an epic space opera in which a princess and a former refugee have to join together to help reclaim the throne and save the galaxy. History Is All You Left Me tells the story of a teen struggling with the death of his ex and his own debilitating OCD, and his ex’s boyfriend is the only one who understands his pain. The Foretelling of Georgie Spider is the third and final book in The Tribe series by Indigenous author Ambelin Kwamullina; the series takes place in a dystopian future where people who manifest powers are Illegal and must survive in secret on the fringes of society or be detained by the state. I read the first book last year (my review) and loved it, so books 2 and 3 are waiting for me.
HEY, you made it to the end, yay you! I tag everyone who wants to do this tag. ^o^